TABLE OF CONTENTS
Descriptive Summary of the Collection
Administrative Information
Biography of J. Francis Driscoll
Scope and Content of the Collection
Organization
Selected Search Terms
Container List
Series 1: Early American Imprints,
ca. 1770-1835
Series 2: American Imprints, ca. 1820-1959
Subseries 1: Songs, 1821-1860
Subseries 2: Songs, 1861-1890
Subseries 3: Songs, 1891-1900
Subseries 4: Songs, 1901-ca.
1959
Subseries 5: Miscellaneous 20th Century songs,
ca.
1901-1959
Subseries 6: Miscellaneous unsorted imprints,
ca.
1800s
Series 3: The “Type” Collection,
n.d.
Series 4: Publishers’ Imprints, n.d.
Subseries 1: Publishers' Imprints,
n.d.
Subseries 2: Sellers' stamps, n.d.
Subseries 3: Songsters, n.d.
Series 5: Illustrated Imprints, n.d.
Subseries 1: Firms, n.d.
Subseries 2: Miscellaneous, n.d.
Subseries 3: Portraits, n.d.
Series 6: History and Politics, n.d.
Series 7: United States - Local n.d.
Series 8: Nature and Calendar, n.d.
Series 9: Communication and Transportation,
n.d.
Series 10: Composers and Lyricists,
n.d.
Subseries 1: Composers, n.d.
Subseries 2: Lyricists, n.d.
Subseries 3: Autographed Sheet Music,
n.d.
Series 11: Dancing and Ballet, n.d.
Series 12: Ethnic and Religious, n.d.
Subseries 1: Ethnic, n.d.
Subseries 2: Religious, n.d.
Series 13: Minstrels and Blackface,
n.d.
Subseries 1: Minstrel Songs, n.d.
Subseries 2: Minstrels, n.d.
Subseries 3: Minstrel Rarities, n.d.
Series 14: Rarities, n.d.
Series 15: Sports and Athletics, n.d.
Series 16: Theatrical, n.d.
Series 17: Miscellaneous, n.d.
Subseries 1: Arrangements, n.d.
Subseries 2: Other, n.d.
Series 18: Foreign Imprints, n.d.
Subseries 1: British Imprints, n.d.
Subseries 2: Composers, n.d.
Subseries 3: European Imprints, n.d.
Series 19: [Books]
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The Newberry Library Roger and Julie Baskes Department of Special
Collections 60 West Walton Street Chicago, Illinois 60610-7324 USA Phone: 312-255-3506 Fax: 312-255-3646 E-Mail: specialcolls@newberry.org URL: http://www.newberry.org
Machine-readable finding aid encoded by
Alison Hinderliter,
2008.
©2008.
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| Creator |
Driscoll, J. Francis
(James Francis), 1875-1959
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| Title |
James Francis Driscoll
Collection of American Sheet Music
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| Dates |
ca. 1770s-1959 |
| Extent |
ca. 84,000 pieces
(426 boxes)
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| Abstract |
The Driscoll Collection
of American Sheet Music, amassed by engineer and organist J. Francis Driscoll
(1875-1959), is one of the largest and most representative collections of its
kind. The approximated 80,000 pieces of sheet music and related material were
arranged into sections by Driscoll himself, and reflect his collecting
interests and preferences. Some of the music is arranged according to imprint
information (i.e. American imprints, publishers’ imprints, illustrated
imprints, etc.); other sections in the collection are arranged by subjects,
such as History and Politics, United States regions and states, Ethnic and
Religious, Dance Styles, etc.
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| Language |
Materials are
primarily in English.
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| Repository |
Newberry Library, Roger and Julie Baskes Department
of Special Collections
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| Collection Call Number |
Driscoll |
| Collection Stack Location |
3 37 1-5; 3 38 1-11 |
James Francis Driscoll Collection of American Sheet Music, The
Newberry Library, Chicago.
Acquired: 1968.
Bernard E. Wilson, after 1968.
Access
The James Francis Driscoll Collection of American Sheet Music is
open for research in the Special Collections Reading Room; 1 box at a time
(Priority III).
Ownership and Literary Rights
The James Francis Driscoll Collection of American Sheet Music is
the physical property of the Newberry Library. Copyright may belong to the
authors or their legal heirs or assigns. For permission to publish or reproduce
any materials from this collection, contact the Roger and Julie Baskes
Department of Special Collections.
Return to the Table of Contents
James Francis Driscoll (1875-1959) was born into a prominent family in
Brookline, Massachusetts. He was by profession a civil engineer, but music was
always his passion. He was for many years the organist at Boston’s Sacred Heart
Cathedral and also its choral director. Having a great interest in history, he
lectured before the Brookline Historical Society and the Bostonian Society. As
early as the 1890s, however, Driscoll was well on his way to amassing one of
the largest collections of American sheet music extant.
Interested in history, fascinated by the graphic arts, and devoted to
music, his interest never flagged. His children related anecdotes of the times
when as youngsters, they spent many Saturdays trailing after their father as he
made the rounds of book dealers, pawn shops, junk yards and auction houses.
Driscoll made it his policy to swap less perfect pieces and duplicates in favor
of as perfect specimens as could be found. He was famous (or infamous,
depending on one’s point of view) among others of the music-collecting
fraternity for his sharp bargaining, and his reluctance to part with any of his
“highspots”.
Return to the Table of Contents
The Driscoll Sheet Music collection consists of well over 80,000
pieces of sheet music, divided into twenty sections by the collector, with many
further subdivisions under each main section. There is considerable overlap
between the Sections: one may find the same piece of sheet music in Illustrated
Imprints as in History and Politics, and also in “Type” collection, for
example. Some sections or parts of sections have been removed from the original
groupings and cataloged separately in the Newberry's Online Catalog; they can
be searched by author, title, or subject, but not by original grouping. The
sections where music has been removed and cataloged separately are: Section 1:
Early American Imprints; Section 4: Publishers' Imprints; Section 5:
Illustrated Imprints; Section 12: Ethnic and Religious; Section 18: Foreign
Imprints; and Section 19: Books. See series descriptions for more specific
information.
An additional section in the original acquisition entitled
"Duplicates" is not included in this inventory.
Narrative descriptions of the subject matter, types of material, and
arrangement of each series are available through the Organization section of
the finding aid.
Return to the Table of Contents
Papers are organized in the following sections:
- Series 1: Early American Imprints,
ca. 1770-1835. Box(es) 13
- Series 2: American Imprints, ca. 1820-1959
- Subseries 1: Songs, 1821-1860
- Subseries 2: Songs, 1861-1890
- Subseries 3: Songs, 1891-1900
- Subseries 4: Songs, 1901-ca.
1959
- Subseries 5: Miscellaneous 20th Century songs,
ca.
1901-1959
- Subseries 6: Miscellaneous unsorted imprints,
ca.
1800s
- Series 3: The “Type” Collection,
n.d.. Box(es) 367-[428]
- Series 4: Publishers’ Imprints, n.d.
- Subseries 1: Publishers' Imprints,
n.d.
- Subseries 2: Sellers' stamps, n.d.
- Subseries 3: Songsters, n.d.
- Series 5: Illustrated Imprints, n.d.
- Subseries 1: Firms, n.d.
- Subseries 2: Miscellaneous, n.d.
- Subseries 3: Portraits, n.d.
- Series 6: History and Politics, n.d. . Box(es) 139-171
- Series 7: United States - Localn.d.. Box(es) 171a-200
- Series 8: Nature and Calendar, n.d.. Box(es) 201-204
- Series 9: Communication and Transportation,
n.d. . Box(es) 205-208
- Series 10: Composers and Lyricists,
n.d.
- Subseries 1: Composers, n.d.
- Subseries 2: Lyricists, n.d.
- Subseries 3: Autographed Sheet Music,
n.d.
- Series 11: Dancing and Ballet, n.d. . Box(es) 264-283
- Series 12: Ethnic and Religious, n.d.
- Subseries 1: Ethnic, n.d.
- Subseries 2: Religious, n.d.
- Series 13: Minstrels and Blackface,
n.d.
- Subseries 1: Minstrel Songs, n.d.
- Subseries 2: Minstrels, n.d.
- Subseries 3: Minstrel Rarities, n.d.
- Series 14: Rarities, n.d.. Box(es) 308-309
- Series 15: Sports and Athletics, n.d. . Box(es) 310-311
- Series 16: Theatrical, n.d.. Box(es) 312-333
- Series 17: Miscellaneous, n.d.
- Subseries 1: Arrangements, n.d.
- Subseries 2: Other, n.d.
- Series 18: Foreign Imprints, n.d.
- Subseries 1: British Imprints, n.d.
- Subseries 2: Composers, n.d.
- Subseries 3: European Imprints, n.d.
- Series 19: [Books]. Box(es)
Return to the Table of Contents
The following terms have been used to index the description of this
collection in the Newberry Library's public catalog. Researchers desiring
additional materials on a particular topic should search the catalog using
these headings.
Names
- Driscoll, J. Francis --
(James Francis), -- 1875-1959 -- Library.
Subjects
- African American
composers.
- African Americans -- Songs
and music.
- Dance music --
Scores.
- Minstrel music -- United
States.
- Music -- United
States.
- Music title
pages.
- Musicals --
Scores.
- Popular music -- United
States -- Scores.
- Sheet music
- Songs -- United States --
Scores.
- Sports -- Songs and
music.
Return to the Table of Contents
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| ca. 2,500 pieces |
| Approximately 220 pieces issued before 1801, and about 1,450
imprints for the period 1801-1820. Other categories in this section include
early engraved music having title page vignettes and early copyrights
(1816-1835).
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| In addition to the sheet music, this section originally included a
number of early American secular imprints of collections, anthologies,
periodicals and the like, in addition to a number of 18th century imprints
bound up into volumes. Examples included Buckingham’s Boston Musical
Miscellany, Wright’s Columbian Magazine for August 1789, the Universal Asylum
for March 1790, the Boston Magazine for January 1784, the Pennsylvania Magazine
for March 1775, and others, all having either music or something of musical
interest in them.
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| For the Early American Imprints, ca. 1770-1820 section, individual
pieces have been cataloged separately and are accessible through the Newberry
Online Catalog. They were originally in Driscoll Boxes 1-12. The remaining
subsections, Vignettes and Copyrights, are in Driscoll Box 13. Driscoll Box 14
(Miscellaneous imprints) is missing.
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| Remainder of section arranged into two topics: Vignettes and
Copyright Examples.
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| Box |
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Contents |
| 13 |
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Vignettes, n.d. |
| 13 |
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Copyright examples, 1816-1835 |
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| This, the largest single component of the Driscoll Sheet Music
Collection, has been broken down into chronological sub-sections, alphabetized
by title. After these main subsections are filed miscellaneous 20th century
songs, and miscellaneous unsorted imprints, mostly mid 1800s. Taken together,
the first four sections give an unparalleled chronological sweep across the
whole vista of American musical history.
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| Organized in the following subseries: 1. Songs, 1821-1860; 2.
Songs, 1861-1890; 3. Songs, 1891-1900; 4. Songs, 1901-ca. 1959; 5.
Miscellaneous 20th Century songs; and 6. Miscellaneous unsorted imprints, ca.
1800s.
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| ca. 3,100 pieces |
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| Box |
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Contents |
| 15 |
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A, ca. 1821-1860 |
| [16] |
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B (not found), ca. 1821-1860 |
| 17 |
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C, ca. 1821-1860 |
| 18 |
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D, E, ca. 1821-1860 |
| 19 |
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F, ca. 1821-1860 |
| 20 |
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G, ca. 1821-1860 |
| 21 |
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H, ca. 1821-1860 |
| 22 |
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I, ca. 1821-1860 |
| 23 |
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Id - Iv, ca. 1821-1860 |
| 24 |
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J, K, ca. 1821-1860 |
| 25 |
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L, ca. 1821-1860 |
| 26 |
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Ma - Mi, ca. 1821-1860 |
| 27 |
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Mo - My, ca. 1821-1860 |
| 28 |
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N, ca. 1821-1860 |
| 29 |
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O, Oh, ca. 1821-1860 |
| 30 |
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O, ca. 1821-1860 |
| 31 |
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P, ca. 1821-1860 |
| 32 |
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Q, R, ca. 1821-1860 |
| 33 |
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Sa - Sm, ca. 1821-1860 |
| 34 |
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So - Sy, ca. 1821-1860 |
| 35 |
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T, ca. 1821-1860 |
| 36 |
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U, V, ca. 1821-1860 |
| 37 |
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Wa - We, ca. 1821-1860 |
| 38 |
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Wh, ca. 1821-1860 |
| 39 |
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Wi - Wr, ca. 1821-1860 |
| 40 |
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Y, Z, ca. 1821-1860 |
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| ca 3,000 pieces |
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| Box |
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Contents |
| 41 |
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A, ca. 1861-1890 |
| 42 |
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B, ca. 1861-1890 |
| 43 |
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C, ca. 1861-1890 |
| 44 |
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D, ca. 1861-1890 |
| 45 |
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E, F, ca. 1861-1890 |
| 46 |
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G, H, ca. 1861-1890 |
| 47 |
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I, ca. 1861-1890 |
| 48 |
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J, K, La - Le, ca. 1861-1890 |
| 49 |
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Li - Lu, ca. 1861-1890 |
| 50 |
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M, ca. 1861-1890 |
| 51 |
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My, N, ca. 1861-1890 |
| 52 |
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O, ca. 1861-1890 |
| 53 |
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O, Oh, ca. 1861-1890 |
| 54 |
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P, ca. 1861-1890 |
| 55 |
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Q, R, ca. 1861-1890 |
| 56 |
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Sa - Sn, ca. 1861-1890 |
| 57 |
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So - Sw, ca. 1861-1890 |
| 58 |
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T, ca. 1861-1890 |
| 59 |
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U, V, Wa - Wh, ca. 1861-1890 |
| 60 |
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When - Ws, Y, Z, ca. 1861-1890 |
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| ca. 1,200 pieces |
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Contents |
| 61 |
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A - C, ca. 1891-1900 |
| 62 |
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D - H, ca. 1891-1900 |
| 63 |
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I, ca. 1891-1900 |
| 64 |
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J - L, ca. 1891-1900 |
| 65 |
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M, ca. 1891-1900 |
| 66 |
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N - R, ca. 1891-1900 |
| 67 |
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S - Z, ca. 1891-1900 |
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| ca. 4,250 pieces |
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| Box |
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Contents |
| 68 |
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A, ca. 1901-1959 |
| 69 |
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B, ca. 1901-1959 |
| 70 |
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C, ca. 1901-1959 |
| 71 |
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D, E, ca. 1901-1959 |
| 72 |
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F, G, ca. 1901-1959 |
| 73 |
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H, ca. 1901-1959 |
| 74 |
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I (a-m), ca. 1901-1959 |
| 75 |
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I (n-z), I'm, ca. 1901-1959 |
| 76 |
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If - It, ca. 1901-1959 |
| 77 |
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J, K, ca. 1901-1959 |
| 78 |
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L, ca. 1901-1959 |
| 79 |
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Ma - Me, ca. 1901-1959 |
| 80 |
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Mi - My, ca. 1901-1959 |
| 81 |
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N, O, ca. 1901-1959 |
| 82 |
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P, R, ca. 1901-1959 |
| 83 |
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Sa - Sm, ca. 1901-1959 |
| 84 |
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Sn - Sy, ca. 1901-1959 |
| 85 |
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Ta - Tha, ca. 1901-1959 |
| 86 |
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The - Tw, ca. 1901-1959 |
| 87 |
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U, V, Wa - Wr, ca. 1901-1959 |
| 88 |
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Wh, ca. 1901-1959 |
| 89 |
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When, ca. 1901-1959 |
| 90 |
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Y, Z, ca. 1901-1959 |
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| ca. 650 pieces |
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| Box |
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Contents |
| 91 |
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Miscellaneous, 1901-1959 |
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| ca. 800 pieces |
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| Box |
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Contents |
| 92 |
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Miscellaneous, ca. 1800s |
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| ca. 11,000 pieces |
| While some of the other sections represent attempts to fill out a
series on some particular topic, this is a special grouping designed to show
the evolution and development of American music as a whole and so it contains
early pieces and late, instrumental music and vocal, rarities and
commonalities, engraved, stereotyped, lithographed, colored, black and white
and non-illustrated covers, minstrel and theatrical pieces, music from the
presses of many different publishers from the pens of many different composers
and poets; in short, a representative sampling from virtually all the other
sections and categories of the collection. Thus, it is a collection within the
Collection, consisting of music chosen by Driscoll. After the main sequence,
there are two boxes of variant versions of popular titles, such as "Home Sweet
Home" and "Woodman Spare That Tree."
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| Arranged alphabetically by title. |
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| Box |
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Contents |
| 367 |
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A |
| 368-370 |
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B |
| 371 |
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Ca - Cl |
| 372 |
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E |
| 373-374 |
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F |
| 375-376 |
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G |
| 377-379 |
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H |
| 380-384 |
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I |
| 385 |
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J |
| 386 |
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K |
| 387-391 |
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L |
| 392-398 |
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M |
| 399 |
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N |
| 400-403 |
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O |
| 404-405 |
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P |
| 406 |
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Q, R |
| 407 |
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R |
| 408-413 |
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S |
| 414-418 |
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T |
| 419 |
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U - V |
| 420-425 |
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W |
| 426 |
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Y |
| [427] |
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Individual Titles: Aladdin |
| [427] |
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Individual Titles: Annie Rooney |
| [427] |
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Individual Titles: Calisthenic Rondos |
| [427] |
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Individual Titles: Jockey Hat and Feather |
| [427] |
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Individual Titles: The Misntrels Returned from the
War
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| [427] |
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Individual Titles: Monastery Bells |
| [427] |
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Individual Titles: Nellie Gray |
| [427] |
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Individual Titles: Pestal, or "Prison
Waltz"
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| [427] |
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Individual Titles: Wait for the Wagon |
| [427] |
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Individual Titles: When I saw Sweet Nelly
Home
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| [427] |
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Individual Titles: Woodman Spare That Tree |
| [428] |
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Individual Titles: Home, Sweet Home |
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| ca. 3,400 pieces |
| Some outstanding categories in this section include the Boston
publisher Bradlee (over 600 pieces); Graupner of Boston; the Hewitts (175);
Isaiah Thomas (150); and Mesier (300). The Graupner imprints, now cataloged
individually, are of singular interest. Gottlieb Graupner, both as musician and
publisher, was very active in late 18th and early 19th century Boston, and for
that reason, Mr. Driscoll was particularly interested in him. The Graupner
category consists of about 450 alphabetized imprints, a couple dozen bound
volumes, and a fair amount of associated materials, including matted portraits,
Graupner autographs, newspapers in which Graupner advertised or was mentioned,
etc. In addition, there are eight Graupner and Mallett imprints and more than a
dozen Graupner and Norman imprints. Counting supplementary pieces, duplicates
etc., the Graupner category totals about 825 items, undoubtedly one of the best
such collections in the world.
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| Also included in this section are categories on sellers’ stamps
(nearly 100 music dealers’ embossed imprints); and songster publishers Dewitt
and Hitchcock.
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| Some pieces by specific publishers have been cataloged separately
and are accessible through the Newberry Online Catalog. Those publishers are
Bradlee, Graupner, (selection of) Hewitt, Mesier, and Von Hagen.
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| Organized in the following subseries: 1. Publishers' Imprints; 2.
Sellers' stamps; and 3. Songsters.
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| Box |
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Contents |
| 93 |
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Ackerman; Aitken; Andre & Co.; Ashton; Atwill;
Bacon; Bagioli; Bailey, White & Co.; Bassford & Brower; Bates &
Bendix; Birch; Blair & Lydon; Blake; Blume; Bourne; Bradlee; Brown; Brown
& Perkins; Browne; Browne & Buckwell; Christman; Clifton; Cooper;
Couenhouen; Couenhouen & Duffy; Coulson; the Misses Cowan; Currier &
Co.; Cutter; Delano; Derwort; DeWitt; Dickson; and Ditson
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| [94-95] |
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[Bradlee: See Online Catalog] |
| 96 |
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Dubois; Dubois & Bacon; Dubois & Stodart;
Dudley; Edgar; Embree; Fairchild & Dwyer; Fiot; Fiot, Meignen & Co.;
Firth & Hall; Firth, Pond & Co.; Ford & Crockett; Geib & Co.;
Geib & Walker; Geslain; Gilbert; Gilfert; Godone; Gould; Hall & Son;
Hance; Hayden; Hews; Himan; Homans & Ellis; Hopkins; and Howe
|
| 97 |
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Ferrett |
| [98-99] |
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[Graupner: See Online Catalog] |
| 100 |
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[Graupner: Contents except for papers of Graupner and
Driscoll's notes recataloged: See Online Catalog]
|
| 101 |
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Hewitt: Some recataloged. See Online
Catalog
|
| 102 |
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Hunnewell & Co.; Hupfeld & Son; Hyde Park Co.;
Isenbeck; E.W. Jackson; G.K. Jackson; Jollie & Millet; Jordens &
Martens; Keith; Kindell; Klemm; Klemm & Bros.; Kotzscmar; Kretschmar &
Nunns; Krey; Lawton; Lee & Walker; Lincoln & Thompson; Longley; Lowe;
Massachusett Music Co.; McClennen; McGrath; McLellan; Miller; Miller &
Hyatt; Millet; Moran; Oakes; Paff; Parker & Ditson; Pearson; Pelletier;
Peters; Pond & Co.; Prentiss; Prentiss & Clark; Prüfer; and Reed
|
| [103] |
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[Mesier: See Online Catalog] |
| 104 |
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Riley; Root & Cady; Ross & Co.; Russell;
Russell & Fuller; Russell & Richardson; Russell & Tolman; Samuels;
Saxton & Peirce; Siegling; Slinglandt; Spear; Stevens; Stockwell; Stone;
Swisher; Swords; Thibault; Thompson; Thurston; Tolman & Co.; Torp;
Tremaine; Trumpler; Vanderbeek; Van Gelder; J. & D. Walker; and Waters
|
| 105 |
|
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[Von Hagen: notes and miscellaneous materials only.
Individual pieces of sheet music cataloged separately: See Online
Catalog.]
|
| 106 |
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Wa-Wan Press; Weatherbee; Weizel; Wellman; Weston;
White & Potter; White, Smith & Co.; Willig; Winne; Winner; Wittig;
Wood; and Worley
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| ca. 100 pieces |
|
| Box |
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Contents |
| 107 |
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Sellers' stamps |
| |
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| Box |
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Contents |
| 107 |
|
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DeWitt; Hitchcock |
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| ca. 5,100 pieces |
| There are three categories in this section: Firms, Miscellaneous,
and Portraits. The largest grouping of illustrated imprints is from the firms
Bufford (250), Endicott (150), Pendleton (104), and Thayer (115). Miscellaneous
includes engraved title pages (150, some of which were removed to be cataloged
separately), 19th century black and white lithographed covers (400), 19th
century colored covers (85), mixed illustrated covers (100), and music covers
that have been matted (100, on miscellaneous subjects; oversized and housed at
the end of the entire Driscoll collection). Portraits include not only those of
composers and poets, but also many famous historical figures, theatrical
people, military men and other luminaries. Included among them are nearly fifty
of the rare “paste-ons”, covers having early photographs glued onto the title
page. There are approximately 3,250 pieces in this category, arranged
alphabetically by the person pictured.
|
| Organized in the following subseries: 1. Firms; 2. Miscellaneous;
and 3. Portraits.
|
| |
|
|
|
| Box |
|
|
Contents |
| 108 |
|
|
S. Ackerman, NYC; American Photo-Lithograph Co., NYC;
Anonymous, NYC; Beacon Lithograph Co., Boston; Bising & Gerlach,
Cincinnati; Bouvé, Boston; Bouvé & Sharpe, Boston; E. Brown, Jr., NYC;
Bufford, NYC & Boston; Canova & Tanby, NYC; Chandler, Boston; C.O.
Clayton, NYC; Crosby, Boston; Nathaniel Currier, NYC; Ehrgott & Forbringer,
Cincinnati; Ehrgott & Krebs, Cincinnati; H.C. Eno, NYC; C.B. Folton, NYC;
Fleetwood, NYC; Forbes, Boston; Gregson, Donaldson & Elmes, Cincinnati; and
Haskell, Boston
|
| 109 |
|
|
Endicott, NYC; Endicott & Swett, NYC |
| 110 |
|
|
Imbert, NYC; D.C. Johnston; Lewis & Brown, NYC;
Macbrair & Sons, Cincinnati; Major & Knapp, NYC; Mayer, Merkel &
Ottmann, NYC; Michelin & Leefe, NYC; Moore, Boston; Nagel, NYC; New England
Litho., Boston; Newsom, Philadelphia; Oakley, Boston; Thos. Russell, NYC;
Sarony & Co., NYC; Sarony & Major, NYC; J.W.A. Scott, Boston;
Senefelder, Boston; and Serrell & Perkins, NYC
|
| 111 |
|
|
Pendleton |
| 112 |
|
|
Sarony & Major & Knapp, NYC |
| 113 |
|
|
J.C.S., W.C.S., & W.S. Sharp, Boston; Sharp &
Michelin, Boston; Snyder & Black, NYC; Snyder, Black & Sturn, NYC;
Tappan & Bradford, Boston; R. Teller, NYC; Thayer, Boston; H.A. Thomas,
NYC; Tomas & Eno, NYC; Tompson & Ramsay, Boston; G.H. Walker, Boston;
R.A. Welcke, NYC; and White, Piplar & Co., Boston
|
| |
|
|
| ca. 835 pieces |
|
| Box |
|
|
Contents |
| 114 |
|
|
Misc. Early Engravings (some removed) |
| 115 |
|
|
Black and white lithograph covers; Miscellaneous
19th-century color covers; and Mixed illustrations
|
| OS 116-118 |
|
|
Music covers, mounted on cream colored mats,
oversized.
|
| |
|
|
| ca. 3,250 pieces |
|
| Box |
|
|
Contents |
| 119 |
|
|
A, Ba-Be |
| 120 |
|
|
Bel-Bz |
| 121 |
|
|
C |
| 122 |
|
|
D, E |
| 123 |
|
|
F, G |
| 124 |
|
|
H |
| 125 |
|
|
I - K |
| 126 |
|
|
L |
| 127-128 |
|
|
M |
| 129 |
|
|
N, O |
| 130 |
|
|
P, Q |
| 131 |
|
|
R |
| 132-133 |
|
|
S |
| 134 |
|
|
T |
| 135 |
|
|
U, V, Y, Z |
| 136 |
|
|
W |
| 137 |
|
|
Paste-on portraits |
| 138 |
|
|
Unknown, Unsorted, Miscellaneous |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ca. 6,500 pieces |
| Among the many categories in this section are American flags (90),
Labor and Trades, Lafayette (30), Lincoln (120), Washington (133), the Mexican
War (75), and the Military in general, including many lithographs of officers
and men in uniform, views of parade grounds, drill scenes, and the like (550).
It also includes the Spanish-American War (100), the “Suffragette” Movement,
Daniel Webster (50), Whigs (100), World War I (ca. 1,600 songs) and the
Presidential Series of some 425 pieces, including a representative selection of
songs about every president, with the sole exception of Harry Truman. To these
has been added a folder of related items, containing 50 songs of different
campaigns, unsuccessful candidates, and vice-presidents. Fairs such as the
Philadelphia Centennial Exhibition of 1876, Chicago’s World’s Columbian
Exposition of 1893, and the Boston Peace Jubilees of 1869 and 1872 are all
represented.
|
| One of the most important categories is that devoted to the Civil
War, which consists of 1,250 pieces. Included among these are 150 pieces of
Confederate music: the song “Dixie” is represented by nearly 50 different
printings.
|
| Boxes 147, 149, 155, and 159 are missing. |
| Topics originally in this section entitled, "Adams and Liberty,
songs", "Battles," and "Civil War, general," were individually cataloged: see
the Newberry Online Catalog.
|
| Arranged by topic and alphabetically by title therein, except for
the "Presidents" topic, which is arranged by order of U.S. Presidents.
|
|
| Box |
|
Contents |
| 139 |
|
Centennial Exhibition, Philadelphia, 1876 [For World's
Columbian Exposition, see Series 7, United States - Local - Illinois -
Chicago]
|
| 140-144 |
|
Civil War - North |
| 145 |
|
Civl War - Miscellaneous |
| 146 |
|
Civl War - Confederate |
| 146 |
|
Civl War - Jefferson Davis, Robert E. Lee |
| 146 |
|
Civl War - Dixie |
| [147] |
|
[box missing] |
| 148 |
|
Flags |
| 148 |
|
"Hail Columbia," song. (23 instrumental arrangements, 25
vocal, 4 misc.)
|
| [149] |
|
[box missing] |
| 150 |
|
Labor and trades |
| 150 |
|
Lafayette |
| 150 |
|
Lincoln (see also Presidents topic in this
section)
|
| 150 |
|
Mexican War |
| 151-152 |
|
Military (See also United States Local, Massachusetts:
Military and United States Local, New York: Military).
|
| 153-154 |
|
Patriotic songs, alphabetical A-N, including "La
Marseillaise," "Columbia the Gem of the Ocean," "America," etc.
|
| [155] |
|
[Patriotic Songs, O-Z; box missing] |
| 156 |
|
Patriotic songs, misc. |
| 156 |
|
Peace Jubilee, Boston, 1869 & 1872 |
| 157 |
|
Presidents: 1. George Washington; 2. John Adams; 3.
Thomas Jefferson; 4. James Madison; 5. James Monroe; 6. John Quincy Adams; 7.
Andrew Jackson; 8. Martin Van Buren; 9. William Henry Harrison; 10. John Tyler;
11. James K. Polk; 12. Zachary Taylor; 13. Millard Fillmore; 14. Franklin
Pierce; 15. James Buchanan; 16. Abraham Lincoln; 17. Andrew Johnson; 18.
Ulysses S. Grant; and 19. Rutherford B. Hayes.
|
| 158 |
|
Presidents: 20. James A. Garfield; 21. Chester A.
Arthur; 22. Grover Cleveland; 23. Benjamin Harrison; 24. William McKinley; 25.
Theodore Roosevelt; 26. William H. Taft; 27. Woodrow Wilson; 28. Warren G.
Harding; 29. Calvin Coolidge; 30. Herbert Hoover; 31. Franklin D. Roosevelt;
and 32. Dwight D. Eisenhower.
|
| [159] |
|
[box missing] |
| 160 |
|
Presidents, related: includes campaign songs,
unsuccessful candidates, vice presidents, etc.
|
| 160 |
|
Spanish-AmericanWar |
| 161 |
|
Star-Spangled Banner |
| 161 |
|
Suffragette (Suffragist) movement |
| 161 |
|
Washington |
| 162 |
|
Webster, Daniel |
| 162 |
|
The West and the Whig Party -- includes 10 "early
Western imprints."
|
| 163-170 |
|
World War I (originally titled, "European
War).
|
| 171 |
|
World War II |
| 171 |
|
Yankee Doodle: includes 59 instrumental, 14
vocal
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ca. 5,900 pieces |
| This section comprises music about and imprints from the various
regions of the United States. There is a folder for each of the fifty states,
and for Bermuda, New England (as a region), the Panama Canal Zone, Washington
D.C., and a miscellaneous folder. The only states not represented by at least
one song are the two Dakotas. The largest collections are for Massachusetts
(2,100) and New York (1,550). Other well-represented states are California
(100), Connecticut (100), Maine (150) Pennsylvania (350) and Rhode Island
(200). These larger categories are in turn broken down by community. Within
these communities, the larger cities such as New York, Philadelphia and Boston
are further broken down on a topical basis, For instance, Boston is divided
into Boston Common, Bunker Hill, Charlestown, churches, Faneuil Hall, Boston
Harbor, hotels, Jamaica Pond, mayors, military, miscellaneous, music houses and
dealers, etc., making a total of 1,150 for Boston alone. In addition,
Massachusetts is rounded out by 275 Military pieces, and 100 miscellaneous
pieces, including 35 governors; New York, by 150 military and 100
miscellaneous, with 17 governors. Some pieces from this section were removed
and cataloged individually: see the Newberry's Online Catalog.
|
| Arranged roughly alphabetically by state, except for Massachusetts
and New York, which are before all other states.
|
|
| Box |
|
Contents |
| 171a |
|
Massachusetts: Acushnet; Agawam; Amesbury; Amherst
College; Andover; Arlington; Auburndale; Ayer; Barnstable; (Camp) Becket;
Bernardston; Beverly; Bradford; Bridgewater; and Boston - Boston Common, Boston
Museum, Boston Music Hall, Boston Theatre, Bunker Hill, Charlestown
|
| 172 |
|
Massachusetts: Boston - Churches; Faneuil Hall; Harbor;
Hotels; Jamaica Pond; Mayors (includes Brimmer, Curley, Fitzgerald, Otis); and
Military
|
| 173 |
|
Massachusetts: Boston - Miscellaneous; Music houses
(alphabetically by firm); and Musical organizations, in general (alphabetically
by firm)
|
| 174 |
|
Massachusetts: Boston - Musical organizations (Germania
Musical Society, Handel & Haydn Society); Newspapers (Boston American,
Boston Globe, Boston Herald, Boston Pearl & Literary Gazette, Boston Post,
Boston Press Club, and Boston Traveler); Organizations (includes: Ancient Order
of Hibernians, Bay State Commandery, Boston & Roxbury Whig Association,
Boston Assemblies, Boston Athletic Club, Boston Benedict Club, Boston Burns
Club, Boston Charitable Irish Society, Boston Clay Club, Colony Club, Gaudeamus
Society, Lowell Baseball Club of Boston, Malibran Society, Massachusetts
Charitable Mechanics Association, Massachusetts Female Emancipation Society,
Musical Frog Club, St. Botolph Club, Union Boat Club, and Washington Inebriates
Reform Association; Portraits (includes Phillips Brooks, Mayors Curley and
Fitzgerald, Cardinal O'Connell); Schools and colleges; and South Boston
|
| 175 |
|
Massachusetts: Boston - Special occasions and events;
State House; Streets; Theatres (includes: Castle Square, Columbia Music Hall,
Cook's Royal Amphitheatre, Federal Street Theatre, Harrington Museum, Howard
Athenaeum, Keith's Theatre, National Theatre, and Tremont Theatre); and
Transportation
|
| 176 |
|
Massachusetts: Brockton; Brookline; Cambridge (includes
Harvard and M.I.T.); Cape Cod; Chelsea; Cochituate Lake; Deerfield; East
Boston; Everett; and Fall River
|
| 177 |
|
Massachusetts: Fitchburg; Framingham; Gardiner;
Gloucester; Goshen; Halifax; Harvard (town of); Haverhill; Holliston; Holyoke;
Hudson; Hull; Hyannis; Hyde Park; Ipswich; Lawrence; Lexington; Lowell; Lynn;
Malden; Marblehead; Marlboro; Martha's Vineyard; Medford (includes Tufts
University); Melrose; Millis; Nahant; Nantasket Beach; Nantucket; Natick;
Needham; New Bedford; Newbury and Newburyport; Newton; North Adams; and North
Eastham
|
| 178 |
|
Massachusetts: Northampton (includes Smith College);
Norton; Norwood; Peabody; Pemberton; Pittsfield; Point Shirley; Plymouth;
Provincetown; Quincy; Reading; Revere and Revere Beach; Rockland; Rockport;
Roxbury; Salem; South Hadley (includes Mount Holyoke College); Springfield;
Stoughton; Swampscott; Taunton; Wakefield; Waltham; Watertown; Waverly;
Wellesley (includes Wellesley College); West Tisbury; Westborough; Westfield;
Westport Harbor; Weymouth; Whitman; Wilbraham; Williamstown (includes Williams
College); Winthrop; Woburn; Woods Hole; Worcester; Wrentham; and Yarmouth
|
| 179 |
|
Massachusetts: Military |
| 180 |
|
Massachusetts: Miscellaneous, including
governors
|
| 181 |
|
New York: Albany; Ameniaville; Auburn; Batavia; Buffalo;
Catskill; Cherry Valley; Clinton; College Point; Cooperstown; Dansville;
Elizabethtown; Elmhurst; Fort Washington; Fort Wood; Geneva; Ithaca (includes
Cornell University); Liberty; Little Falls; Manlius; Mohawk; and Mohawk Valley
|
| 182 |
|
New York: New York City - Athletics; Beaches; Brooklyn;
Castle Garden; Churches; and Circus
|
| 183 |
|
New York: New York City - Halls; Hotels; and
Miscellaneous
|
| 184 |
|
New York: New York City - Music houses; Newspapers;
Organizations; Parades; Parks; Portraits (see also Illustrated Imprints
Series); Schools & colleges; and Special occasions
|
| 185 |
|
New York: New York City - Squares; Streets (includes
Broadway, Fifth Avenue, and Misc.); Theatres; Transportation; and World's Fair,
1851
|
| 186 |
|
New York: Newburg; Niagara Falls; North Granville;
Norwich; Nyack-on-Hudson; Oakwood; Olean; Owego; Oyster Bay; Pelham;
Plattsburgh; Poughkeepsie (includes Vassar College); Rhineland; Richfield
Springs; Rochester; Saratoga; Skaneateles; Springfield; and Syracuse
|
| 187 |
|
New York: Troy; Tuxedo; Utica; Valatie; Watertown;
Westchester; West Point (includes U.S. Military Academy); Windsor; Whitestown;
and Yonkers
|
| 188 |
|
New York: Military |
| 189 |
|
New York: Miscellaneous (includes canals, governors)
|
| 190 |
|
Alabama; Alaska; Arizona; Arkansas; Bermuda; Colorado;
Delaware; and Florida
|
| 191 |
|
California |
| 192 |
|
Connecticut (includes Yale University); Georgia; Hawaii;
and Idaho
|
| 193 |
|
Illinois (including Chicago imprints, pre-1870,
Columbian Exposition, Views, University of Chicago); Indiana; Iowa; Kansas
(includes imprints and wax impression of the Kansas Territorial Seal); and
Kentucky
|
| 194 |
|
Louisiana (Includes New Orleans); and Maine |
| 195 |
|
Maryland (includes Baltimore imprints) |
| 196 |
|
Michigan; Minnesota; Mississippi; Missouri; Montana;
Nebraska; Nevada; and New England (as a region)
|
| 197 |
|
New Hampshire (includes imprints, Baker family,
Dartmouth College); New Jersey (includes Rutgers University, Princeton
University); New Mexico; Ohio; Oklahoma; Oregon; and Panama Canal Zone
|
| 198 |
|
Pennsylvania: Colleges: (includes Pennsylvania College,
Pennsylvania Military Academy, Temple University, University of Pennsylvania);
Governors; Johnstown Flood; In general; Philadelphia - Centennial Exhibition,
Churches, Germantown, Hotels, Independence Hall and Liberty Bell, E. Ives, Jr.
(Philadelphia Musical Seminary), Military, Miscellaneous, Music houses,
Organizations, Special occasions, Theatres (includes Arch Street Theatre,
Chestnut Street Opera House, Chestnut Street Theatre, Keith's Theatre,
Philadelphia Theatre, and Stanley Theatre); and Pittsburgh
|
| 199 |
|
Rhode Island (includes Bristol, Brown University,
Governors, Military, Newport, Providence, Miscellaneous); and States in general
|
| 200 |
|
Tennessee; Texas; Utah; Vermont; Virginia; West
Virginia; Washington state; Washington, D.C.; Wisconsin; and Wyoming
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ca. 600 pieces |
| The largest categories in this Section are: Christmas (150),
flowers, fruit and vegetables (100), Memorial(Decoration) Day, the moon (50),
and water (100, including ice, snow, skating, sleighing, and snow sports).
These are supplemented by folders on autumn, clouds, Easter, eclipses, the
world as a globe, hurricanes, lightning, May Day, New Year’s, rain and
rainbows, seasons and months (in general) spring, stars, summer, Thanksgiving,
trees, and Valentine’s Day.
|
| Organized in two sections: Calendar, and Nature, and arranged
alphabetically by topic therein.
|
|
| Box |
|
Contents |
| 201 |
|
Calendar: Christmas |
| 202 |
|
Calendar: Easter; May Day; Memorial Day; Months; New
Year's; Thanksgiving; Valentine's Day; and Miscellaneous (includes clouds,
eclipses, globes, hurricanes, stars, trees, and twilight)
|
| 203 |
|
Nature: Flowers; Fruits and vegetables; Miscellaneous;
and Moon
|
| 204 |
|
Nature: Rain and rainbows; Rivers; Seasons in general;
and Winter (includes ice, snow, skating, sleighing, snow sports)
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ca. 650 pieces |
| Outstanding among the categories in this Section is the one
dealing with automobiles (130 pieces). These were exhibited at the Smithsonian
Institutions, as described in the Washington Daily
News for Oct. 23, 1939, page 14. (See also Hobbies
Magazine, December 1939). In addition, there are 100 aeronautical pieces
including several on balloons, over a hundred pieces on letters, postcards,
stamps, the telegraph and telegrams, 150 railroad pieces, many with rare
lithographs of early engines and trains upon the covers, 125 telephone pieces,
and other music dealing with trolley cars, rolling chairs, the Atlantic Cable
(see miscellaneous), oil, ships and the sea (see miscellaneous), radio,
horse-drawn vehicles, etc.
|
| Arranged alphabetically by topic. |
|
| Box |
|
Contents |
| 205 |
|
Airplanes; Automobiles; and Balloons |
| 206 |
|
Bicycles; Horse-drawn vehicles; Letters; and
Miscellaneous
|
| 207 |
|
Oil; Radio; and Telephone |
| 208 |
|
Railroads; Telegrams; Transportation, in general; and
Trolley cars
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ca. 9,700 pieces |
| The Composers category (ca. 6,800 pieces) includes pieces of
native-born composers and American imprints of foreign composers. In the folder
on Irving Berlin, containing about 600 pieces, there are 150 songs from
Berlin’s various Music Box Reviews. There are over 200 pieces in the George M.
Cohan folder, including most of his show tunes. The Stephen Foster category
contains over 700 pieces, comprising some 90 different titles, including 62
first editions, over 150 various printings, three score instrumental
arrangements, and the like. Jerome Kern is represented by over 350 pieces;
Sousa by 150 pieces (including about 70 marches). The folder on Ethelbert Nevin
(87 pieces) is indicative of Mr. Driscoll’s thoroughness; as an organist, he
was interested in Nevin’s The Rosary, and managed to collect some 30 different
printings of it, including the first and its variations.
|
| The Lyricists category (ca. 2,900 pieces) includes texts by
native-born poets wherever published, and American imprints of foreign poetry.
|
| At the end of this section are two boxes of autographed sheet
music. This comprises nearly 300 pieces of music each autographed, usually by
the composer, and occasionally by the author or dedicatee.
|
| Organized in the following subseries: Composers; Lyricists; and
Autographed Sheet Music.
|
| |
|
|
| ca. 6,800 pieces |
|
| Box |
|
|
Contents |
| 209 |
|
|
Abt; Alberti; Ascher; Audran; Bailey; Ball; Barker;
Barnett; Homer & J.C. Bartlett; and Baumbach
|
| 210 |
|
|
Mrs. H.H.A (Amy) Beach; and Beethoven |
| 211 |
|
|
Bellak; Berg; Beyer; H.R. Bishop; T.B. Bishop;
Bissell; Bizet; and Blake
|
| 212 |
|
|
Blumenthal; Bohm; Bond; Bricker; Buck; Bullard;
Burgmuller; Cadman; Callcott; Chadwick; Clark; Clayton; Clementi; Clifton; and
Cobb & Edwards
|
| [213] |
|
|
[Carr: removed and cataloged separately. See Newberry
Library Online Catalog]
|
| 214 |
|
|
Cole and Johnson; Connolly; Converse; Corbin;
Corticelli; Cramer; and Croisez
|
| 215 |
|
|
Czerny; Daniels; and DeKoven |
| 216 |
|
|
Delibes; Dempster; Dorn; Dresser; Dressler;
Dreyschock; Driscoll; Duval; Eaton; Edwards; Elliott; Engelbrecht; Faust;
Fields; and Fischer
|
| 217 |
|
|
Foote; Fox; and Fry |
| 218-220 |
|
|
Foster, Stephen |
| 221 |
|
|
Gershwin; Getze; Ghys; (For Gilbert & Sullivan,
see Theatrical series); Gillet; Gilmore; Glover; and Gooch
|
| 222 |
|
|
Gottschalk |
| 223 |
|
|
Greene; Grobe; Gumbert; and Gung'l |
| 224 |
|
|
Handy; Harris; Heller; and Henselt |
| 225 |
|
|
Herbert; and Herz |
| 226 |
|
|
G. Hewitt; H. Hewitt; J. Hewitt; Hews; Hill; Hodges;
Hoffman; Holst; Hopkinson; Hosmer; Howe; Hummel; and Hunten
|
| 227 |
|
|
Isaacs; Jacobs-Bond; and Jungmann |
| 228 |
|
|
Kehr; Knight; Kolling; Krug; Kuhe; Lamothe; Lang;
Lange; Lardner; and Lassen
|
| 229 |
|
|
Latour; Lee; Lehar; Leslie; Leybach; Lichner; Lindsay;
Linley; Locke; Lover; Luders; and Lumbye
|
| 230 |
|
|
MacDowell; and McNaughton |
| 231 |
|
|
Marshall; Mascagni; Mason; Merkel; Metcalf; Millard;
Mills; Morse; Moelling; Morrison; Mozart; and Muller
|
| 232 |
|
|
Nelson; Newcomb; O'Connor; Oesten; Pacher; Pape;
Parker; and Perabo
|
| 233 |
|
|
Nevin |
| 234 |
|
|
Perring; Plaidy; Porter; Rachmaninoff; Raff; Richards;
Root
|
| 235 |
|
|
Rogers Bros.; Römberg; Rotoli; Rubinstein; and Russell
|
| 236 |
|
|
Ryder; Scharwenka; Schubert; Schulhoff; Seitz; Shaw;
and Smith
|
| 237 |
|
|
Sousa |
| 238 |
|
|
Spindler; Strack; (For Sullivan, see Theatrical
Series); Thalberg; Thomas; Thompson; Tosti; Tucker; Turner; and Unger
|
| 239 |
|
|
von Suppe; Harry and Albert von Tilzer; von Weber; and
Voss
|
| 240 |
|
|
Waldteufel; and Wallace |
| 241 |
|
|
Weaver; (For Weber & Fields, see Theatrical
Series); Webster; Wels; Werline; Whiting; Whittemore; Wilson; and Winner
|
| 242 |
|
|
Wollenhaupt; Woodbury; Work; Wyman |
| 243 |
|
|
Miscellaneous minor composers |
| |
|
|
| ca. 2,900 pieces |
|
| Box |
|
|
Contents |
| 244 |
|
|
Aldrich; Allen; Bangs; Bayly; Blake; Bolton; Browning;
Bryant; Bulwer-Lytton; Bunyan; Burns; Byron; and Coleridge
|
| 245-246 |
|
|
Cooper |
| 247 |
|
|
Dickens |
| 248 |
|
|
Dickinson; D'Israeli; Dobson; Dole; Drake; Drummond;
Mary Baker Eddy; Emerson; Field; Fitzgerald; Gilder; Goethe; Goldsmith; Gould;
Guiney; Harte; Hay; Hearn; Bishop Heber; and Heine
|
| 249 |
|
|
Mrs. Hemans; Herrick; Hogg; Hood; Hope; Hovey; Ben
Jonson; Keats; Kemble; and Kilmer
|
| 250 |
|
|
Holmes |
| 251 |
|
|
Kipling |
| 252 |
|
|
Lanier; LeGallienne; Linley; Locke; Amy Lowell; James
Russell Lowell; Markham; Masefield; George Meredith; Owen Meredith; Miller;
Milton; Montgomery; and Morris
|
| 253 |
|
|
Longfellow |
| 254 |
|
|
Moore |
| 255 |
|
|
Cardinal Newman; Mrs. Norton; Noyes; O'Reilly; Otis;
Poe; Pope; Proctor; Read; Riley; Rossetti; Mrs. Rowson; Father Ryan
|
| 256 |
|
|
Schiller; Scott; Shakespeare; and Shelley |
| 257 |
|
|
W. Dexter Smith (Sr. and Jr.); Stevenson; Stodard;
Stowe; Swinburne; and Taylor
|
| 258 |
|
|
Tennyson |
| 259 |
|
|
Whitman |
| 260 |
|
|
Whittier |
| 261 |
|
|
Teschmacher; Thackeray; Thoreau; Wallace; Ward;
Wiggin; Wilcox; Wilde; Woodworth; Wordsworth; and Yeats
|
| |
|
|
| ca. 300 pieces |
|
| Box |
|
|
Contents |
| 262 |
|
|
A - H |
| 263 |
|
|
I - Z and unsorted |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ca. 3,200 pieces |
| This Section has two main categories, the first consisting of
types of dances: cakewalks, foxtrots, gallops, marches, mazurkas, minuets,
one-steps, polkas, quicksteps, rag time, redowas, schottisches, tangos,
tarantellas, two-steps, and waltzes. The largest categories are the waltzes
(about 1,000 pieces), marches (250), polkas (over 400), and nearly 350 ragtime
tunes.
|
| The second category is devoted to dancers and dance groups,
virtually all of which are represented by lithographed portrait title pages.
There are about 400 items, showing famous dancers, ensembles, stage scenes and
spectacles, and the like.
|
| First category arranged alphabetically by dance style; second
category arranged by dancer or group, with major dancers Taglioni & Ellsler
at the end.
|
|
| Box |
|
Contents |
| 264 |
|
Cakewalk, foxtrot, gallop, habanera |
| 265 |
|
March, mazurka |
| 266 |
|
March, two-step |
| 267 |
|
One-step, polka-redova, schottische, tango, tarantella
|
| 268-270 |
|
Polka |
| 271-272 |
|
Quickstep |
| 273 |
|
Ragtime |
| 274-279 |
|
Waltz |
| 280 |
|
Varsouvienne, Misc., and foreign dance music |
| 281-282 |
|
Dancers |
| 283 |
|
Taglioni & Ellsler |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ca. 3,000 pieces |
| Groups worth noting include the Catholic category (by far the
largest, boxes 289-290); American Indian category (nearly 150 pieces); and the
Irish category (over 300). The “Negro” category contains spirituals and other
non-minstrel songs. This section used to include a group of about 100 early
American psalm books, hymnals, religious tracts and songsters; these have been
cataloged separately.
|
| Organized in the following subseries: Ethnic and Religious. |
| |
|
|
|
| Box |
|
|
Contents |
| 284 |
|
|
Armenian; Canadian; Cuban; English; French; German;
Gypsy; and Greek
|
| 285 |
|
|
Irish |
| 286 |
|
|
Irish, Italian, and Jewish |
| 287 |
|
|
American Indian |
| 288 |
|
|
National songs; Negro; Polish; Portuguese;
Scandinavian; Scottish; Spanish; and Latin American
|
| |
|
|
|
| Box |
|
|
Contents |
| 289 |
|
|
Catholic: Ave Maria; Regina Coeli; Ave Regina; Alma
Redemptoris; and Salve Regina
|
| 290 |
|
|
Catholic: Ave Verum; Holy Week; O Salutaris; Tantum
Ergo; and Vespers
|
| 291 |
|
|
Miscellaneous Religious |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ca. 3,400 pieces |
| The Section has been divided into three parts: an alphabetized
selection of minstrel songs, an alphabetical series arranged by particular
group or team of minstrels, and a portfolio of rare items. Among the rarities
is the very early Massa Georgee Washington and General LaFayette [as sung in
character by Mr. Roberts…words and music by Micah Hawkins. NYC: E. Riley,
1824].
|
| There is also an index to composers, available in the Library. |
| Organized in the following subseries: Minstrel Songs; Minstrels;
and Minstrel Rarities.
|
| |
|
|
|
| Box |
|
|
Contents |
| 292 |
|
|
A, B, C |
| 293 |
|
|
D, E, F |
| 294 |
|
|
G, H, I |
| 295 |
|
|
J, K, L, Ma |
| 296 |
|
|
M, N, "O," "Oh," O |
| 297 |
|
|
P, R, S |
| 298 |
|
|
T, U, V, W, Y, Z |
| |
|
|
|
| Box |
|
|
Contents |
| 299 |
|
|
A, B, Banjo, Bland, Buckley's Serenaders |
| 300 |
|
|
C, Campbell's Congo Melodists |
| 301 |
|
|
Christy, D |
| 302 |
|
|
Delahanty & Hedges, Doc Stader, E. Emerson, Emmet,
Ethiopian Serenaders
|
| 303 |
|
|
F, G, H, Harmoneons |
| 304 |
|
|
J, Jolson, K, L, Lewis, Lucas, Lions, M |
| 305 |
|
|
N, New Orleans Serenaders, O, Ordway, P |
| 306 |
|
|
Q, R, S, T, Virginia Minstrels, Virginia
Serenaders
|
| 307 |
|
|
W, Williams & Walker |
| |
|
|
|
| Box |
|
|
Contents |
| 307a |
|
|
Minstrel Rarities |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ca. 450 pieces |
| In this section there are subsections devoted to a variety of
categories: national patriotic and military songs, first editions, comic songs,
history and politics (including various battles, the West, Indians, etc.),
communication and transportation (including railroads, horse cars, oil, the
telephone, etc.), and famous people like Jenny Lind and Mark Twain. Nearly
fifty items portray the façade of the publishing house or music shop that
published or distributed the sheet music.
|
| Arranged in portfolios by topic. |
|
| Box |
Folder |
Contents |
| 308-309 |
|
Rarities |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ca. 300 pieces |
| This section is alphabetized by sport topic: categories include
archery, baseball, bicycling, billiards, boating, boxing, cricket and croquet,
fishing, football, golf, roller skating, rowing, running, swings and hammocks,
and tennis. Baseball and football are the largest categories, having more than
sixty items each. The tremendous popularity of bicycling during the last
quarter of the 19th century is well reflected in more than fifty pieces.
|
| There is a list of all sheet music available in the "Baseball"
folder. See printout in the Library.
|
| Arranged alphabetically by topic. |
|
| Box |
Folder |
Contents |
| 310 |
|
Archery; Athletics in general; Baseball; Bicycles and
Velocipedes; Billiards; (bullfighting: see Miscellaneous Series); Boating;
Boxing and Wrestling; Cricket; and Croquet
|
| 311 |
|
Fishing; Football; Golf ; (ice skating: see Nature and
Calendar Series - Winter); Roller skating; Rowing; (sleighing and snow sports:
see Nature and Calendar Series - Winter); Swinging (includes hammocks); and
Tennis
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ca. 3,100 pieces |
| The famous names of the American stage are represented here;
examples include Eddie Cantor, Gilbert and Sullivan, Harrigan and Hart, Al
Jolson, Jenny Lind, Rogers and Hart, Rogers and Hammerstein, Lillian Russell,
and many more. Driscoll was particularly proud of his collection of Harrigan
and Hart songs, which contains more than 200 out of the 230 or so songs that
they created. .
|
| Other categories include comic songs, female impersonators,
musical comedies, musical families, the opera, 19th century singers, covers
showing stage scenes, show tunes, playbills, Uncle Tom’s Cabin, and the
Ziegfeld Follies.
|
| Arranged alphabetically by name or topic.. |
|
| Box |
Folder |
Contents |
| 312 |
|
Baker Family, Eddie Cantor, First American opera, Female
Impersonators
|
| 313-314 |
|
Irving Berlin, general |
| 315 |
|
Irving Berlin: Musicals, "Music Box Review", and
Ziegfeld Follies
|
| 316 |
|
George M. Cohan |
| 317 |
|
Gilbert & Sullivan, Arthur Sullivan |
| 318-319 |
|
Harrigan & Hart |
| 320 |
|
Will Hays |
| 321-322 |
|
Hutchinson Family (including Songsheets and The Grave of
Bonaparte)
|
| 323 |
|
Jenny Lind |
| 324-326 |
|
Musical families |
| 327 |
|
Early Singers (a – z), Musical comedy
numbers
|
| 328 |
|
Miscellany, Adelina and Carlotta Patti |
| 329 |
|
Mr. & Mrs. Howard Paul |
| 330-331 |
|
Theatre in general (including F. Boott; Harry Lauder;
James Madison; Kerry Mills; Rodgers & Hart/Hammerstein; Lillian Russell;
Ted Snyder; "Uncle Tom's Cabin"; Weber & Fields; Gus Williams; and
"Ziegfeld Follies" (see also Irving Berlin)
|
| 332 |
|
Show Tunes |
| 333 |
|
Comic Songs |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ca. 6,000 pieces |
| Those folders and categories not readily admitted into the other
Sections have been alphabetized and grouped here for convenience. There are two
subsections: Arrangements (about 800 pieces), and other, arranged
alphabetically by topic. Arrangements are pieces for banjo, flute, guitar,
mandolin, full orchestra, organ, piano, violin, violin and piano, and vocal.
Other song topics include: advertising (130), anacreontic (drinking) songs
(120), animals and birds (265), anthologies, auctions, bells, blind people,
china and glassware, circus, clocks, cowboy and hillbilly songs, death and
burial, fans, fairies and witches, fashions (about 100, including bloomers,
bathing costumes, hair, Dolly Varden, the Grecian Bend, etc.),fires (including
plates of fire engines, famous Boston, New York, and Philadelphia blazes),
games and gambling, juvenile (200) kissing, lighting, and illumination, liquor,
musical instruments and musicians (140 depicted), parodies, photographs,
photography, proverbs (motto songs), rivers, sea songs (350; including aids to
navigation, the Atlantic Cable, naval vessels, pirates, portraits, ships,
steamers, wrecks and yachts), secret and fraternal societies (150),
silhouettes, spinning and sewing, street scenes and sellers’ cries, students
and college songs, tobacco, temperance, and even whistling and yodeling
songs.
|
| Organized in the following subseries: Arrangements, and Other. |
| |
|
|
| ca. 800 pieces |
|
| Box |
|
|
Contents |
| 334 |
|
|
Banjo, Mandolin |
| 335 |
|
|
Guitar |
| 336 |
|
|
Piano, four hands |
| 337 |
|
|
Piano, four hands; Violin |
| 338 |
|
|
Violin & piano, Vocal parts |
| |
|
|
| ca. 5,200 pieces |
|
| Box |
|
|
Contents |
| 339 |
|
|
Anacreontic songs (drinking songs) |
| 340 |
|
|
Animals |
| 341-342 |
|
|
Anthologies |
| 343 |
|
|
Advertising; Auctions; Bathing; Bells; Broadside
slips
|
| 344 |
|
|
Birds |
| 345 |
|
|
Blind (composers, performers, people, institutions for
the, and Blind Tom); Circus (including Aerial, P.T. Barnum, Circus in general,
Clowns, Dwarfs, Merle Evans, and Magicians)
|
| 346 |
|
|
Cartoonists; Clocks; Cowboys |
| 347 |
|
|
Companion pieces, |
| 348 |
|
|
Death and burial; Driscoll (as a proper name); Early
Western imprints; Embossed title pages; Fans; Fairies and witches; and Fashion
(Hair, Dolly Varden)
|
| 349 |
|
|
Fashion (in general); Fires; Games (including Cards,
Dominoes, and Gambling) and Grotesques, typological
|
| 350 |
|
|
Juvenile (including "Mary Had a Little Lamb", Nursery
rhymes, and pieces of interest to children); Kissing; Lighting and illumination
(including Candles, Thomas Edison, Electricity, Radiation, and Street lamps);
Liquor; and Money
|
| 351 |
|
|
Musical instruments; Parodies; Phonographs and
records; Photography; Proverbs, in song; Rivers; and Student songs and
songsters
|
| 352 |
|
|
Oversize (uncut) music |
| 353-354 |
|
|
Sea Songs |
| 355 |
|
|
Secret and fraternal societies |
| 356 |
|
|
Silhouettes; Spinning and sewing; Street scenes and
peddlers' cries; Swinging; Temperance songs; Tobacco; Topical songs; Whistling;
and Yodeling
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ca. 1,700 pieces |
| This section has three subdivisions: British imprints (early
London imprints only), Composers (about 500 pieces by European classical
composers), and European imprints, which are divided into French music with
lithographed title pages, miscellaneous foreign imprints (800), and
miscellaneous foreign views (some on music covers, some not). Almost all of the
London imprints have been removed and cataloged separately; see Library Online
Catalog.
|
| Organized in the following subseries: British Imprints; Composers;
and European Imprints.
|
| |
|
|
|
| Box |
|
|
Contents |
| [357-358] |
|
|
[Early London Imprints - removed and cataloged
separately]
|
| 359 |
|
|
Early London Imprints |
| |
|
|
| ca. 500 pieces |
|
| Box |
|
|
Contents |
| 360 |
|
|
Beethoven; Brahms; Chabrier; Chaminade; Chopin;
Debussy; del Riego; Dreyschock; Dvorák; Elgar; and Godard
|
| 361 |
|
|
Gounod; Grieg; Haydn; Handel; Jadassohn; Jaell;
Jensen; and Lee
|
| 362 |
|
|
Liszt; Mendelssohn; Meyer-Helmund; Moszowski; Mozart;
Nicode; Paderewski
|
| 363 |
|
|
Saint-Saëns; Schubert; Schumann; Schütt; Sinding;
Staub; Strauss (Johann, Josef, Henry, and Richard); Tchaikowsky; Wieniawski;
and Zeller
|
| 364 |
|
|
Miscellaneous minor foreign composers |
| |
|
|
| ca. 800 pieces |
|
| Box |
|
|
Contents |
| 365 |
|
|
Early European imprints; French music with
lithographed title pages
|
| 366 |
|
|
Misc. foreign imprints, misc. foreign
views
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| [ca. 200 books] |
| Some books originally in this section contained music, but most
were reference and historical treatises about music. All books have been
cataloged separately and are accessible through the Newberry Online Catalog
|
|
|
|
|
|
|
|
|
|