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Collection of seven watercolors and one drawing of the ancient Maya cities of Chichén Itzá and Uxmal, both located in the Yucatán Peninsula region of southeastern Mexico, by the artist Ralph Fletcher Seymour. These watercolors provide detailed depictions of the buildings found within these ancient Maya sites.

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MoMing was a center in Chicago's Lakeview neighborhood for dance training and avant-garde performance as well as an art gallery. It was formed in 1974 by Jackie Radis, Jim Self, Susan Kimmelman, Eric Trules, Kasia Mintch, Tem Horowitz, and Sally Banes. Along with local artists, it hosted many guest dancers and artists of renown, including Trisha Brown, Bill T. Jones, Mark Morris, and Meredith Monk. It officially dissolved in 1991.

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Three oil on canvas paintings and twelve watercolor drawings on paper of various sizes housed in one green portfolio and two red clamshell boxes. Paintings and drawings are attributed to Monroe Quamahongiva Frederick, a Hopi artist. Tribes depicted include the Navajo, Crow, and Hopi. Subjects of paintings include American Indian portraits, pueblos, the southwest, dress, and copies of work by E. Irving Crouse and Elbridge Ayer Burbank.

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Newspaper cartoons of Chicagoan Morrie Brickman

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Ephemera collected by Never The Same, a project begun by Northwestern University Professor Rebecca Zorach and Daniel Tucker, founder of AREAChicago. Never The Same collects items documenting socially and politically engaged art in Chicago since the 1960s. Collection consists of brochures, fliers, postcards, pamphlets, posters, artwork, books, journals, CDs, DVDs, and 3-dimensional artifacts emanating from a wide variety of sources, both individual and organizational.

Abstract Club founded in Chicago in 1895 with the objectives of fostering growth in the visual arts, providing space for artists to work, and enriching the community through programs of art education. Founding member, Charles J. Mulligan, was an assistant to Chicago sculptor Lorado Taft who rented part of his studio to the fledgling organization. Records include exhibit registers and scrapbooks containing photographs and clippings of the Palette and Chisel Academy of Fine Arts. NOTE: Letter of...

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Six pencil sketches of Ballet Russe de Monte Carlo dancers drawn by artist Paula Gerard Renison during rehearsals and performances at the Auditorium Theatre in Chicago, 1938-1939.

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Comic books, graphic novels, and pop culture ephemera with Native American themes, characters, and imagery produced in North America from the years 1937 to 2015.

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Thirty-five drawings in ink and wash on paper and one page of text from a formerly bound sketchbook of Ferdinand Friedrich Pettrich. The drawings feature portrait depictions of American Indians, including members of the Sac and Fox, Creek, Sioux, and Winnebago tribes.

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Unsigned architectural drawings and diagrams featured in Edward Herbert Thompson's article "Ruins of Xkichmook, Yucatan," which was published in 1893 by the Field Columbian Museum (Field Columbian Museum Publication 28, Anthropological Series Vol. II, No. 3, July 1898). Thompson explored and excavated the Maya ruins of Xkichmook at various times beginning in 1886.

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Diaries, notes, original manuscripts of writings, design art, correspondence, financial records, printed ephemera, and type specimens from the collection of Robert Hunter Middleton, type designer and fine printer.

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Calligrapher and artist who studied at the School of the Art Institute, and who worked an art instructor in Iowa before becoming Director of the Sioux City Art Museum. Collection includes notes, course papers, photos, correspondence, and examples of Langley's work, including book jackets, menus, brochures, and certificates.

Abstract One hundred sixty unsigned, numbered drawings attributed to "Sioux Indians" (a general, blanket term used to describe the Santee, the Yankton-Yanktonai, and the Lakota peoples) living in Fort Yates, North Dakota during the cataclysmic winter of 1913-1914, a period known as the "Starving Time." Aaron McGaffey Bead, an Episcopal missionary to the Indians of North Dakota, provided paper and art supplies to the residents of Fort Yates during this period and paid 50-75 cents for each drawing,...

Abstract Letters, World War II-era memorabilia, journals, clippings, manuscripts and photographs pertaining to Marguerite Deville Chabrol Storrs (1881-1959), a successful fiction and non-fiction writer who used the pseudonym "Marc Debrol." Also included are letters and materials related to the Deville Chabrol family, including correspondence between family members present during the Franco-Prussian War and the colonization of Algeria. Additionally, collection includes genealogical information about...

Abstract Records of the Town and Country Arts Club of Chicago, previously known as the Art Study Class and the North Shore Arts Club. Conceived in 1932 and continuing to the present, the group meets “to study the great world arts that have gone before, to assist in their preservation for future generations, and to encourage the arts of the present day.” Records include president’s books, minutes, reports, membership rosters and attendance records, directories, presentations, photographs, histories,...

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Fifteen satirical prints of everyday life in the early-nineteenth century by publisher William Davison of Alnwick, England; also includes a biographical summary of Davison.

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Professional and personal materials and photographs of Chicago architect and city planner William Edward Parsons.

Abstract Correspondence, documents and miscellaneous items relating to the families of Rue Winterbotham Shaw and Alfred Phillips Shaw. Includes letters of Rue W. Shaw and Alfred P. Shaw to their son Joseph W. Shaw, correspondence to and from Theodora Winterbotham Brown and letters of other Winterbotham family members. Also, three large folder-notebooks of miscellaneous genealogical material amassed by Theodora Winterbotham Brown regarding the history of the Winterbotham, Baldwin and Rosencrans...