Box 3
Contains 20 Results:
"Three Women", By Shirley Mordine, Dancer Jan Erkert, 1979
Print photographs, contact sheets, and photo negatives from professional photographers, including Bill Frederking and Charles Osgood. There are photographs of both individual dancers and the company from rehearsals and production performances from 1979-1999.
"Turn Her White With Stones", Suet May Ho, 1994
Print photographs, contact sheets, and photo negatives from professional photographers, including Bill Frederking and Charles Osgood. There are photographs of both individual dancers and the company from rehearsals and production performances from 1979-1999.
"Two Lives of Women", Christine Bornarth, Suet May Ho, Amy Alt, 1993
Print photographs, contact sheets, and photo negatives from professional photographers, including Bill Frederking and Charles Osgood. There are photographs of both individual dancers and the company from rehearsals and production performances from 1979-1999.
"Unweavings", Contact Sheets, Nov. 4, 1996
Print photographs, contact sheets, and photo negatives from professional photographers, including Bill Frederking and Charles Osgood. There are photographs of both individual dancers and the company from rehearsals and production performances from 1979-1999.
"Unweavings", Contact Sheets, Apr. 6, 1997
Print photographs, contact sheets, and photo negatives from professional photographers, including Bill Frederking and Charles Osgood. There are photographs of both individual dancers and the company from rehearsals and production performances from 1979-1999.
"Unweavings", Paul Cipponeri, Suet May Ho, Jason Ohlberg, Ginger Farley, and Carrier Hanson, 1997
Print photographs, contact sheets, and photo negatives from professional photographers, including Bill Frederking and Charles Osgood. There are photographs of both individual dancers and the company from rehearsals and production performances from 1979-1999.
"Unweavings", Paull Cipponeri and Jason Ohlberg, 1997-1998
Print photographs, contact sheets, and photo negatives from professional photographers, including Bill Frederking and Charles Osgood. There are photographs of both individual dancers and the company from rehearsals and production performances from 1979-1999.
"Unweavings", Krenly Guzman and Jason Ohlberg, 1997
Print photographs, contact sheets, and photo negatives from professional photographers, including Bill Frederking and Charles Osgood. There are photographs of both individual dancers and the company from rehearsals and production performances from 1979-1999.
"Unweavings", Suet May Ho, Carrie Hanson, Paul Cipponeri, Jason Ohlberg, and Ginger Farley, 1997
Print photographs, contact sheets, and photo negatives from professional photographers, including Bill Frederking and Charles Osgood. There are photographs of both individual dancers and the company from rehearsals and production performances from 1979-1999.
"Unweavings", Suet May Ho, Paul Cipponeri, Jason Ohlberg, and Ginger Farley, 1997
Print photographs, contact sheets, and photo negatives from professional photographers, including Bill Frederking and Charles Osgood. There are photographs of both individual dancers and the company from rehearsals and production performances from 1979-1999.
"Unweavings", Jason Ohlberg, Krenly Guzman, and Erika Gilfether, approximately 1997
Print photographs, contact sheets, and photo negatives from professional photographers, including Bill Frederking and Charles Osgood. There are photographs of both individual dancers and the company from rehearsals and production performances from 1979-1999.
Veach, Tim, Michael McStraw, and Peter Rothblatt, ("Broken Wings" and/or "Teleos"), 1987
Print photographs, contact sheets, and photo negatives from professional photographers, including Bill Frederking and Charles Osgood. There are photographs of both individual dancers and the company from rehearsals and production performances from 1979-1999.
"Whole Fragments", Contact Sheets, Dec. 11, 1994
Print photographs, contact sheets, and photo negatives from professional photographers, including Bill Frederking and Charles Osgood. There are photographs of both individual dancers and the company from rehearsals and production performances from 1979-1999.
"Whole Fragments", Kim Nelson and Krenly Guzman, 1998
Print photographs, contact sheets, and photo negatives from professional photographers, including Bill Frederking and Charles Osgood. There are photographs of both individual dancers and the company from rehearsals and production performances from 1979-1999.
"Whole Fragments", Mark Schulze and Chin Yu Chang, 1995
Print photographs, contact sheets, and photo negatives from professional photographers, including Bill Frederking and Charles Osgood. There are photographs of both individual dancers and the company from rehearsals and production performances from 1979-1999.
"Without Sense", Mark Schulze and Juli Hallihan Campbell, undated
Print photographs, contact sheets, and photo negatives from professional photographers, including Bill Frederking and Charles Osgood. There are photographs of both individual dancers and the company from rehearsals and production performances from 1979-1999.
Rehearsals, Contact Sheets and Negatives, undated
Print photographs, contact sheets, and photo negatives from professional photographers, including Bill Frederking and Charles Osgood. There are photographs of both individual dancers and the company from rehearsals and production performances from 1979-1999.
Unidentified Contact Sheets, 1987
Print photographs, contact sheets, and photo negatives from professional photographers, including Bill Frederking and Charles Osgood. There are photographs of both individual dancers and the company from rehearsals and production performances from 1979-1999.
Unidentified Contact Sheets with Negatives, undated
Print photographs, contact sheets, and photo negatives from professional photographers, including Bill Frederking and Charles Osgood. There are photographs of both individual dancers and the company from rehearsals and production performances from 1979-1999.
Unidentified Negatives, undated
Print photographs, contact sheets, and photo negatives from professional photographers, including Bill Frederking and Charles Osgood. There are photographs of both individual dancers and the company from rehearsals and production performances from 1979-1999.