Box 22
Container
Contains 43 Results:
Library of Great Painters logo (944), 1951
File — Box: 22, Folder: 687
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
The Celluloid Asylum, S. Alexander (948), 1951
File — Box: 22, Folder: 688
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
Whole Grain Cookery, S. Standard (949), 1951
File — Box: 22, Folder: 689
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
The People with the Dogs, C. Stead (954), 1951
File — Box: 22, Folder: 690
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
Melville Goodwin U.S.A., John P. Marquand (955), 1951
File — Box: 22, Folder: 691
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
Days of Misfortune, A.M. Stein (957), 1951
File — Box: 22, Folder: 692
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
The Black Angel, Cornell Woolrich (958), 1951
File — Box: 22, Folder: 693
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
House on Telegraph Hill, D. Lyon (959), 1951
File — Box: 22, Folder: 694
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
Too Like the Dead, D. Chambers (962), 1951
File — Box: 22, Folder: 695
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
Sudden Vengeance, E. Crispin (964), 1951
File — Box: 22, Folder: 696
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
No Hero, John P. Marquand (966), 1951
File — Box: 22, Folder: 697
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
A Lonely Way to Die, H. Debrett (967), 1951
File — Box: 22, Folder: 698
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
The Three Fears, J. Stagge (969), 1951
File — Box: 22, Folder: 699
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
Murder for Millions, N. Rutledge (970), 1951
File — Box: 22, Folder: 700
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
Dr. Brauderstein Vanishes, J. Sherwood (972), 1951
File — Box: 22, Folder: 701
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
Dangerous Blondes, K. Roos (974), 1951
File — Box: 22, Folder: 702
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
Blood on My Shoe, J. Leslie (975), 1951
File — Box: 22, Folder: 703
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
Death of a Nymph, E. Piper (976), 1951
File — Box: 22, Folder: 704
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
He Didn't Mind Danger, M. Gilbert (980), 1951
File — Box: 22, Folder: 705
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
Give Up the Ghost, M. Erskine (982), 1951
File — Box: 22, Folder: 706
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
Ming Yellow, John P. Marquand (983), 1951
File — Box: 22, Folder: 707
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
Death of a Bigshot, C. Knight (985), 1951
File — Box: 22, Folder: 708
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
The American Gun Mystery, Ellery Queen (986), 1951
File — Box: 22, Folder: 709
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
Rather Cool for Mayhem, L.G. Blochman (987), 1951
File — Box: 22, Folder: 710
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951
Sinister Shelter, C.L. Leonard (988), 1951
File — Box: 22, Folder: 711
Scope and Contents note
From the Series:
Materials from design projects by Salter when he was based in New York. Job files include materials such as artwork (sketches, drawings, maps, illustrations, layouts, tracings), jackets, proofs and specs, and correspondence. Individual folders have symbols written on them that indicate the contents of that file. A key to these symbols can be found in the collection Info File, but have not been transcribed here. Each project was assigned a job number by Salter, or later by his wife Agnes,...
Dates:
1951