Box 38
Contains 23 Results:
San Francisco Boys Choir, 1961, 1970s
Materials from other choirs, particularly other children’s choirs, both national and international. Christopher Moore developed collaborations with the Vienna Choir Boys and the Bielefelder Kinderchor in the early days of CCC. Includes ephemera, publicity, correspondence, and planning and hosting materials for other choirs visiting Chicago. Related materials can be found in the general administrative files and tour planning.
Sandefjord Girls Choir (Norway), 1976
Materials from other choirs, particularly other children’s choirs, both national and international. Christopher Moore developed collaborations with the Vienna Choir Boys and the Bielefelder Kinderchor in the early days of CCC. Includes ephemera, publicity, correspondence, and planning and hosting materials for other choirs visiting Chicago. Related materials can be found in the general administrative files and tour planning.
The Shreveport Boychoir, 1970s-1980s
Materials from other choirs, particularly other children’s choirs, both national and international. Christopher Moore developed collaborations with the Vienna Choir Boys and the Bielefelder Kinderchor in the early days of CCC. Includes ephemera, publicity, correspondence, and planning and hosting materials for other choirs visiting Chicago. Related materials can be found in the general administrative files and tour planning.
Singing Boys of Monterrey, 1965-1966
Materials from other choirs, particularly other children’s choirs, both national and international. Christopher Moore developed collaborations with the Vienna Choir Boys and the Bielefelder Kinderchor in the early days of CCC. Includes ephemera, publicity, correspondence, and planning and hosting materials for other choirs visiting Chicago. Related materials can be found in the general administrative files and tour planning.
Southern Illinois Children’s Choir, 1996
Materials from other choirs, particularly other children’s choirs, both national and international. Christopher Moore developed collaborations with the Vienna Choir Boys and the Bielefelder Kinderchor in the early days of CCC. Includes ephemera, publicity, correspondence, and planning and hosting materials for other choirs visiting Chicago. Related materials can be found in the general administrative files and tour planning.
Tapiola Choir, 1980s
Materials from other choirs, particularly other children’s choirs, both national and international. Christopher Moore developed collaborations with the Vienna Choir Boys and the Bielefelder Kinderchor in the early days of CCC. Includes ephemera, publicity, correspondence, and planning and hosting materials for other choirs visiting Chicago. Related materials can be found in the general administrative files and tour planning.
Texas Boys Choir, 1960s-1980s
Materials from other choirs, particularly other children’s choirs, both national and international. Christopher Moore developed collaborations with the Vienna Choir Boys and the Bielefelder Kinderchor in the early days of CCC. Includes ephemera, publicity, correspondence, and planning and hosting materials for other choirs visiting Chicago. Related materials can be found in the general administrative files and tour planning.
Vienna Choir Boys, 1960-1974
Materials from other choirs, particularly other children’s choirs, both national and international. Christopher Moore developed collaborations with the Vienna Choir Boys and the Bielefelder Kinderchor in the early days of CCC. Includes ephemera, publicity, correspondence, and planning and hosting materials for other choirs visiting Chicago. Related materials can be found in the general administrative files and tour planning.
Winston-Salem State University Choir & Singers, 1984
Materials from other choirs, particularly other children’s choirs, both national and international. Christopher Moore developed collaborations with the Vienna Choir Boys and the Bielefelder Kinderchor in the early days of CCC. Includes ephemera, publicity, correspondence, and planning and hosting materials for other choirs visiting Chicago. Related materials can be found in the general administrative files and tour planning.
Yip’s Children’s Chorale and Performing Arts Centre, 1983-1987
Materials from other choirs, particularly other children’s choirs, both national and international. Christopher Moore developed collaborations with the Vienna Choir Boys and the Bielefelder Kinderchor in the early days of CCC. Includes ephemera, publicity, correspondence, and planning and hosting materials for other choirs visiting Chicago. Related materials can be found in the general administrative files and tour planning.
Young Singers of Callanwolde, 1970s
Materials from other choirs, particularly other children’s choirs, both national and international. Christopher Moore developed collaborations with the Vienna Choir Boys and the Bielefelder Kinderchor in the early days of CCC. Includes ephemera, publicity, correspondence, and planning and hosting materials for other choirs visiting Chicago. Related materials can be found in the general administrative files and tour planning.
Youth Pro Musica, 1980s
Materials from other choirs, particularly other children’s choirs, both national and international. Christopher Moore developed collaborations with the Vienna Choir Boys and the Bielefelder Kinderchor in the early days of CCC. Includes ephemera, publicity, correspondence, and planning and hosting materials for other choirs visiting Chicago. Related materials can be found in the general administrative files and tour planning.
Anderson, T.J. [correspondence only], 1968-1986
Materials documenting the music sung by the CCC units and music education within the organization. Includes repertoire lists, music curriculum and theory, planning materials, and correspondence with composers. Examples of printed music include Daniel Pinkham’s “Listen to Me,” commissioned by the CCC, and music binders used by singers.
Barrett, Oliver O’Connor and Joan Barrett [correspondence only], 1961-1962
Materials documenting the music sung by the CCC units and music education within the organization. Includes repertoire lists, music curriculum and theory, planning materials, and correspondence with composers. Examples of printed music include Daniel Pinkham’s “Listen to Me,” commissioned by the CCC, and music binders used by singers.
Clarke, Henry Leland, approximately 1950s-1982
Materials documenting the music sung by the CCC units and music education within the organization. Includes repertoire lists, music curriculum and theory, planning materials, and correspondence with composers. Examples of printed music include Daniel Pinkham’s “Listen to Me,” commissioned by the CCC, and music binders used by singers.
Collier, Gilman – "The 96th Psalm", undated
Materials documenting the music sung by the CCC units and music education within the organization. Includes repertoire lists, music curriculum and theory, planning materials, and correspondence with composers. Examples of printed music include Daniel Pinkham’s “Listen to Me,” commissioned by the CCC, and music binders used by singers.
Gresham, Mark, 1984-1987
Materials documenting the music sung by the CCC units and music education within the organization. Includes repertoire lists, music curriculum and theory, planning materials, and correspondence with composers. Examples of printed music include Daniel Pinkham’s “Listen to Me,” commissioned by the CCC, and music binders used by singers.
Hague, Joy, 1990s
Materials documenting the music sung by the CCC units and music education within the organization. Includes repertoire lists, music curriculum and theory, planning materials, and correspondence with composers. Examples of printed music include Daniel Pinkham’s “Listen to Me,” commissioned by the CCC, and music binders used by singers.
Hailstork, Adolphus, 1983-1984
Materials documenting the music sung by the CCC units and music education within the organization. Includes repertoire lists, music curriculum and theory, planning materials, and correspondence with composers. Examples of printed music include Daniel Pinkham’s “Listen to Me,” commissioned by the CCC, and music binders used by singers.
Kay, Ulysses [correspondence only], 1968, 1970
Materials documenting the music sung by the CCC units and music education within the organization. Includes repertoire lists, music curriculum and theory, planning materials, and correspondence with composers. Examples of printed music include Daniel Pinkham’s “Listen to Me,” commissioned by the CCC, and music binders used by singers.
Latin pronunciation guides by Lorene Richardson, 1964
Materials documenting the music sung by the CCC units and music education within the organization. Includes repertoire lists, music curriculum and theory, planning materials, and correspondence with composers. Examples of printed music include Daniel Pinkham’s “Listen to Me,” commissioned by the CCC, and music binders used by singers.
Pinkham, Daniel – “Listen to Me” [commissioned by CCC], 1965
Materials documenting the music sung by the CCC units and music education within the organization. Includes repertoire lists, music curriculum and theory, planning materials, and correspondence with composers. Examples of printed music include Daniel Pinkham’s “Listen to Me,” commissioned by the CCC, and music binders used by singers.
Unger, James [correspondence only], 1968-1973
Materials documenting the music sung by the CCC units and music education within the organization. Includes repertoire lists, music curriculum and theory, planning materials, and correspondence with composers. Examples of printed music include Daniel Pinkham’s “Listen to Me,” commissioned by the CCC, and music binders used by singers.