Box 39
Contains 11 Results:
Music curriculum and music theory statement, 1980s
Materials documenting the music sung by the CCC units and music education within the organization. Includes repertoire lists, music curriculum and theory, planning materials, and correspondence with composers. Examples of printed music include Daniel Pinkham’s “Listen to Me,” commissioned by the CCC, and music binders used by singers.
Music library, 1970s-1980s
Materials documenting the music sung by the CCC units and music education within the organization. Includes repertoire lists, music curriculum and theory, planning materials, and correspondence with composers. Examples of printed music include Daniel Pinkham’s “Listen to Me,” commissioned by the CCC, and music binders used by singers.
Music planning and resources used by Christopher Moore [folder 1 of 2], 1950s-1960s
Materials documenting the music sung by the CCC units and music education within the organization. Includes repertoire lists, music curriculum and theory, planning materials, and correspondence with composers. Examples of printed music include Daniel Pinkham’s “Listen to Me,” commissioned by the CCC, and music binders used by singers.
Music planning and resources used by Christopher Moore [folder 2 of 2], 1950s-1960s
Materials documenting the music sung by the CCC units and music education within the organization. Includes repertoire lists, music curriculum and theory, planning materials, and correspondence with composers. Examples of printed music include Daniel Pinkham’s “Listen to Me,” commissioned by the CCC, and music binders used by singers.
Music planning and resources used by Christopher Moore [folder 1 of 2], 1970s-1980s
Materials documenting the music sung by the CCC units and music education within the organization. Includes repertoire lists, music curriculum and theory, planning materials, and correspondence with composers. Examples of printed music include Daniel Pinkham’s “Listen to Me,” commissioned by the CCC, and music binders used by singers.
Music planning and resources used by Christopher Moore [folder 2 of 2], 1970s-1980s
Materials documenting the music sung by the CCC units and music education within the organization. Includes repertoire lists, music curriculum and theory, planning materials, and correspondence with composers. Examples of printed music include Daniel Pinkham’s “Listen to Me,” commissioned by the CCC, and music binders used by singers.
Music theory materials, 1970s-1980s
Materials documenting the music sung by the CCC units and music education within the organization. Includes repertoire lists, music curriculum and theory, planning materials, and correspondence with composers. Examples of printed music include Daniel Pinkham’s “Listen to Me,” commissioned by the CCC, and music binders used by singers.
Music theory tests, 1980s
Materials documenting the music sung by the CCC units and music education within the organization. Includes repertoire lists, music curriculum and theory, planning materials, and correspondence with composers. Examples of printed music include Daniel Pinkham’s “Listen to Me,” commissioned by the CCC, and music binders used by singers.
Repertoire lists, 1958-1996, undated
Materials documenting the music sung by the CCC units and music education within the organization. Includes repertoire lists, music curriculum and theory, planning materials, and correspondence with composers. Examples of printed music include Daniel Pinkham’s “Listen to Me,” commissioned by the CCC, and music binders used by singers.
Repertoire and program notes, 1970s, undated
Materials documenting the music sung by the CCC units and music education within the organization. Includes repertoire lists, music curriculum and theory, planning materials, and correspondence with composers. Examples of printed music include Daniel Pinkham’s “Listen to Me,” commissioned by the CCC, and music binders used by singers.
Sheet music examples, undated
Materials documenting the music sung by the CCC units and music education within the organization. Includes repertoire lists, music curriculum and theory, planning materials, and correspondence with composers. Examples of printed music include Daniel Pinkham’s “Listen to Me,” commissioned by the CCC, and music binders used by singers.