Box 2
Container
Contains 17 Results:
Madam Will You Walk? - playbill, 1954
unspecified — Box: 2, Folder: 21
Scope and Contents note
From the Series:
Materials pertaining to Hope Abelson's career in theater, including scripts, posters, playbills, correspondence, clippings, and production notes. Some of her earliest theater-related work is represented with items from her WWII-era service in Chicago Women's Aid, as well as Chicago's Music Theater in Highland Park, Ill. Abelson's New York City period includes materials from her work with producer Cheryl Crawford on Camino Real, The Thirteen Clocks, and Trouble in Tahiti, the Broadway...
Dates:
1954
Madame Will You Walk? - script, 1953
unspecified — Box: 2, Folder: 22
Scope and Contents note
From the Series:
Materials pertaining to Hope Abelson's career in theater, including scripts, posters, playbills, correspondence, clippings, and production notes. Some of her earliest theater-related work is represented with items from her WWII-era service in Chicago Women's Aid, as well as Chicago's Music Theater in Highland Park, Ill. Abelson's New York City period includes materials from her work with producer Cheryl Crawford on Camino Real, The Thirteen Clocks, and Trouble in Tahiti, the Broadway...
Dates:
1953
Miscellaneous clippings, 1954
unspecified — Box: 2, Folder: 23
Scope and Contents note
From the Series:
Materials pertaining to Hope Abelson's career in theater, including scripts, posters, playbills, correspondence, clippings, and production notes. Some of her earliest theater-related work is represented with items from her WWII-era service in Chicago Women's Aid, as well as Chicago's Music Theater in Highland Park, Ill. Abelson's New York City period includes materials from her work with producer Cheryl Crawford on Camino Real, The Thirteen Clocks, and Trouble in Tahiti, the Broadway...
Dates:
1954
The Rainmaker - correspondence, congratulatory, 1954
unspecified — Box: 2, Folder: 24
Scope and Contents note
From the Series:
Materials pertaining to Hope Abelson's career in theater, including scripts, posters, playbills, correspondence, clippings, and production notes. Some of her earliest theater-related work is represented with items from her WWII-era service in Chicago Women's Aid, as well as Chicago's Music Theater in Highland Park, Ill. Abelson's New York City period includes materials from her work with producer Cheryl Crawford on Camino Real, The Thirteen Clocks, and Trouble in Tahiti, the Broadway...
Dates:
1954
The Rainmaker - correspondence, congratulatory (from scrapbook), 1954
unspecified — Box: 2, Folder: 25
Scope and Contents note
From the Series:
Materials pertaining to Hope Abelson's career in theater, including scripts, posters, playbills, correspondence, clippings, and production notes. Some of her earliest theater-related work is represented with items from her WWII-era service in Chicago Women's Aid, as well as Chicago's Music Theater in Highland Park, Ill. Abelson's New York City period includes materials from her work with producer Cheryl Crawford on Camino Real, The Thirteen Clocks, and Trouble in Tahiti, the Broadway...
Dates:
1954
The Rainmaker - clippings, 1955
unspecified — Box: 2, Folder: 26
Scope and Contents note
From the Series:
Materials pertaining to Hope Abelson's career in theater, including scripts, posters, playbills, correspondence, clippings, and production notes. Some of her earliest theater-related work is represented with items from her WWII-era service in Chicago Women's Aid, as well as Chicago's Music Theater in Highland Park, Ill. Abelson's New York City period includes materials from her work with producer Cheryl Crawford on Camino Real, The Thirteen Clocks, and Trouble in Tahiti, the Broadway...
Dates:
1955
The Rainmaker - clippings (from scrapbook; see oversize), 1954
unspecified — Box: 2, Folder: 27
Scope and Contents note
From the Series:
Materials pertaining to Hope Abelson's career in theater, including scripts, posters, playbills, correspondence, clippings, and production notes. Some of her earliest theater-related work is represented with items from her WWII-era service in Chicago Women's Aid, as well as Chicago's Music Theater in Highland Park, Ill. Abelson's New York City period includes materials from her work with producer Cheryl Crawford on Camino Real, The Thirteen Clocks, and Trouble in Tahiti, the Broadway...
Dates:
1954
The Rainmaker - financial, 1954-1957
unspecified — Box: 2, Folder: 28
Scope and Contents note
From the Series:
Materials pertaining to Hope Abelson's career in theater, including scripts, posters, playbills, correspondence, clippings, and production notes. Some of her earliest theater-related work is represented with items from her WWII-era service in Chicago Women's Aid, as well as Chicago's Music Theater in Highland Park, Ill. Abelson's New York City period includes materials from her work with producer Cheryl Crawford on Camino Real, The Thirteen Clocks, and Trouble in Tahiti, the Broadway...
Dates:
1954-1957
The Rainmaker - playbills, 1954-1955
unspecified — Box: 2, Folder: 29
Scope and Contents note
From the Series:
Materials pertaining to Hope Abelson's career in theater, including scripts, posters, playbills, correspondence, clippings, and production notes. Some of her earliest theater-related work is represented with items from her WWII-era service in Chicago Women's Aid, as well as Chicago's Music Theater in Highland Park, Ill. Abelson's New York City period includes materials from her work with producer Cheryl Crawford on Camino Real, The Thirteen Clocks, and Trouble in Tahiti, the Broadway...
Dates:
1954-1955
The Rainmaker - poster (see oversize), 1998
unspecified — Box: 2, Folder: 30
Scope and Contents note
From the Series:
Materials pertaining to Hope Abelson's career in theater, including scripts, posters, playbills, correspondence, clippings, and production notes. Some of her earliest theater-related work is represented with items from her WWII-era service in Chicago Women's Aid, as well as Chicago's Music Theater in Highland Park, Ill. Abelson's New York City period includes materials from her work with producer Cheryl Crawford on Camino Real, The Thirteen Clocks, and Trouble in Tahiti, the Broadway...
Dates:
1998
The Rainmaker - production notes, 1954
unspecified — Box: 2, Folder: 31
Scope and Contents note
From the Series:
Materials pertaining to Hope Abelson's career in theater, including scripts, posters, playbills, correspondence, clippings, and production notes. Some of her earliest theater-related work is represented with items from her WWII-era service in Chicago Women's Aid, as well as Chicago's Music Theater in Highland Park, Ill. Abelson's New York City period includes materials from her work with producer Cheryl Crawford on Camino Real, The Thirteen Clocks, and Trouble in Tahiti, the Broadway...
Dates:
1954
The Rainmaker - script (annotated), 1954
unspecified — Box: 2, Folder: 32
Scope and Contents note
From the Series:
Materials pertaining to Hope Abelson's career in theater, including scripts, posters, playbills, correspondence, clippings, and production notes. Some of her earliest theater-related work is represented with items from her WWII-era service in Chicago Women's Aid, as well as Chicago's Music Theater in Highland Park, Ill. Abelson's New York City period includes materials from her work with producer Cheryl Crawford on Camino Real, The Thirteen Clocks, and Trouble in Tahiti, the Broadway...
Dates:
1954
The Rainmaker - staff & cost lists, 1951
unspecified — Box: 2, Folder: 33
Scope and Contents note
From the Series:
Materials pertaining to Hope Abelson's career in theater, including scripts, posters, playbills, correspondence, clippings, and production notes. Some of her earliest theater-related work is represented with items from her WWII-era service in Chicago Women's Aid, as well as Chicago's Music Theater in Highland Park, Ill. Abelson's New York City period includes materials from her work with producer Cheryl Crawford on Camino Real, The Thirteen Clocks, and Trouble in Tahiti, the Broadway...
Dates:
1951
The Egghead - artwork (see oversize), ca. 1957
unspecified — Box: 2, Folder: 34
Scope and Contents note
From the Series:
Materials pertaining to Hope Abelson's career in theater, including scripts, posters, playbills, correspondence, clippings, and production notes. Some of her earliest theater-related work is represented with items from her WWII-era service in Chicago Women's Aid, as well as Chicago's Music Theater in Highland Park, Ill. Abelson's New York City period includes materials from her work with producer Cheryl Crawford on Camino Real, The Thirteen Clocks, and Trouble in Tahiti, the Broadway...
Dates:
ca. 1957
The Egghead - clippings & publicity (removed from scrapbook; see also oversize), 1957
unspecified — Box: 2, Folder: 35
Scope and Contents note
From the Series:
Materials pertaining to Hope Abelson's career in theater, including scripts, posters, playbills, correspondence, clippings, and production notes. Some of her earliest theater-related work is represented with items from her WWII-era service in Chicago Women's Aid, as well as Chicago's Music Theater in Highland Park, Ill. Abelson's New York City period includes materials from her work with producer Cheryl Crawford on Camino Real, The Thirteen Clocks, and Trouble in Tahiti, the Broadway...
Dates:
1957
The Egghead - clippings, 1957
unspecified — Box: 2, Folder: 36
Scope and Contents note
From the Series:
Materials pertaining to Hope Abelson's career in theater, including scripts, posters, playbills, correspondence, clippings, and production notes. Some of her earliest theater-related work is represented with items from her WWII-era service in Chicago Women's Aid, as well as Chicago's Music Theater in Highland Park, Ill. Abelson's New York City period includes materials from her work with producer Cheryl Crawford on Camino Real, The Thirteen Clocks, and Trouble in Tahiti, the Broadway...
Dates:
1957
The Egghead - correspondence, congratulatory, 1957
unspecified — Box: 2, Folder: 37
Scope and Contents note
From the Series:
Materials pertaining to Hope Abelson's career in theater, including scripts, posters, playbills, correspondence, clippings, and production notes. Some of her earliest theater-related work is represented with items from her WWII-era service in Chicago Women's Aid, as well as Chicago's Music Theater in Highland Park, Ill. Abelson's New York City period includes materials from her work with producer Cheryl Crawford on Camino Real, The Thirteen Clocks, and Trouble in Tahiti, the Broadway...
Dates:
1957