Box 3
Container
Contains 83 Results:
Duran & Schoenewerk (music publishers), 1891
File — Box: 3, Folder: 43
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1891
Eddy, Clarence, 1896-1903
File — Box: 3, Folder: 44
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1896-1903
Engelmann-Brandes, Emma, 1880-1902
File — Box: 3, Folder: 45
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1880-1902
Fay, Amy, 1887
File — Box: 3, Folder: 46
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1887
Finck, Henry Theophilus, Mar. 3, 1890
File — Box: 3, Folder: 47
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Mar. 3, 1890
Fischer, Emil, May 9, 1895
File — Box: 3, Folder: 48
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
May 9, 1895
Floersheim, Otto, New York Musical Courier, Nov. 19, 1889
File — Box: 3, Folder: 49
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Nov. 19, 1889
Foote, Arthur, 1896
File — Box: 3, Folder: 50
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1896
Gilchrist, William Wallace, n.d.
File — Box: 3, Folder: 51
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
n.d.
Gillette, W.H., 1880
File — Box: 3, Folder: 52
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1880
Godard, Benjamin, Apr. 13, 1891
File — Box: 3, Folder: 53
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Apr. 13, 1891
Gould, Maurice, 1889
File — Box: 3, Folder: 54
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1889
Gounod, Charles, Feb. 2, 1891
File — Box: 3, Folder: 55
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Feb. 2, 1891
Grieg, Edvard, Feb. 3, 1898
File — Box: 3, Folder: 56
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Feb. 3, 1898
Guilmant, Alexandre, 1897-1898
File — Box: 3, Folder: 57
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1897-1898
Harper, William Rainey, University of Chicago, Feb. 9, 1892
File — Box: 3, Folder: 58
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Feb. 9, 1892
Haupt, Carl August, Apr. 24, 1879
File — Box: 3, Folder: 59
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Apr. 24, 1879
Henderson, David, Chicago Opera House, [1880s]
File — Box: 3, Folder: 60
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
[1880s]
Henschel, George, Apr. 25, 1882
File — Box: 3, Folder: 61
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Apr. 25, 1882
Hepworth, William, Apr. 13, 1875
File — Box: 3, Folder: 62
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Apr. 13, 1875
Holmes, Jeanette R., Oct. 27, 1903
File — Box: 3, Folder: 63
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Oct. 27, 1903
Hopkins, Jerome, Apr. 2, 1883
File — Box: 3, Folder: 64
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Apr. 2, 1883
Humperdinck, Engelbert, Jan. 30, 1898
File — Box: 3, Folder: 65
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Jan. 30, 1898
Kahrer, Laura, Sept. 18, 1900
File — Box: 3, Folder: 66
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Sept. 18, 1900
Keen, Hattie E., n.d.
File — Box: 3, Folder: 67
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
n.d.