Box 4
Container
Contains 73 Results:
Paine, John Knowles, Sept. 28, 1882
File — Box: 4, Folder: 94
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Sept. 28, 1882
Palmer, Francis, May 21, 1892
File — Box: 4, Folder: 95
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
May 21, 1892
Patterson, R.W. Jr., Chicago Tribune, 1888, 1890
File — Box: 4, Folder: 96
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1888, 1890
Peck, Ferd. W., Chicago Auditorium Association, 1889-1890
File — Box: 4, Folder: 97
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1889-1890
Penniman (?), Jill B., Jun. 22, 1902
File — Box: 4, Folder: 98
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Jun. 22, 1902
Perugini, Giov., Nov. 1, 1887
File — Box: 4, Folder: 99
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Nov. 1, 1887
Pfleger, George, Feb. 6, 1902
File — Box: 4, Folder: 100
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Feb. 6, 1902
Plowe, E.H., Jul. 6, 1889
File — Box: 4, Folder: 101
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Jul. 6, 1889
Porter, J.A. (Secretary to U.S. President William McKinley), Oct. 3, 1898
File — Box: 4, Folder: 102
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Oct. 3, 1898
Pratt, Silas Gamaliel, Manuscript Society of New York, 1879, 1896
File — Box: 4, Folder: 103
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1879, 1896
Prochazka, J.O. von, The Keynote, Nov. 18, 1889
File — Box: 4, Folder: 104
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Nov. 18, 1889
Reményi, Eduard, May 19, [1890s?]
File — Box: 4, Folder: 105
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
May 19, [1890s?]
Rheinberger, Josef, Jan. 13, 1898
File — Box: 4, Folder: 106
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Jan. 13, 1898
Rivé-King, Julie, 1877-1879
File — Box: 4, Folder: 107
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1877-1879
Root, George F., Apr. 16, 1884
File — Box: 4, Folder: 108
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Apr. 16, 1884
Rudersdorff, E.M., Feb. 28, 1881
File — Box: 4, Folder: 109
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Feb. 28, 1881
Rutter, T.L., Sept. 30, 1889, n.d.
File — Box: 4, Folder: 110
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Sept. 30, 1889, n.d.
Saint-Saëns, Camille, 1891-1902
File — Box: 4, Folder: 111
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1891-1902
Scharwenka, Xaver, Jun. 18, 1888
File — Box: 4, Folder: 112
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Jun. 18, 1888
Schultz, L.F., Detroit Philharmonic Club, 1889-1890
File — Box: 4, Folder: 113
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1889-1890
Seeboeck, W.C.E., n.d.
File — Box: 4, Folder: 114
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
n.d.
Sherwood, William H., 1888
File — Box: 4, Folder: 115
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1888
Smith, Wilson G., 1890-1892
File — Box: 4, Folder: 116
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1890-1892
Stanford, Charles Villiers, May 4, 1898
File — Box: 4, Folder: 117
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
May 4, 1898
Stewart, W.G., American School of Opera and Conservatory of Music, Jan. 27, 1903
File — Box: 4, Folder: 118
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Jan. 27, 1903