Scope and Contents note From the Sub-Series:

Correspondence to and from others includes letters to and from friends and colleagues C.B. Cady and Otto Floersheim, and notable letters (one from Stephen Douglas) to Gleason’s father-in-law J.A. Kennicott. The letter from composer Giuseppe Verdi to composer Alberto Mazzucato is possibly a souvenir picked up by Gleason.

Scope and Contents note From the Sub-Series:

Correspondence to and from others includes letters to and from friends and colleagues C.B. Cady and Otto Floersheim, and notable letters (one from Stephen Douglas) to Gleason’s father-in-law J.A. Kennicott. The letter from composer Giuseppe Verdi to composer Alberto Mazzucato is possibly a souvenir picked up by Gleason.

Scope and Contents note From the Sub-Series:

Correspondence to and from others includes letters to and from friends and colleagues C.B. Cady and Otto Floersheim, and notable letters (one from Stephen Douglas) to Gleason’s father-in-law J.A. Kennicott. The letter from composer Giuseppe Verdi to composer Alberto Mazzucato is possibly a souvenir picked up by Gleason.

Scope and Contents note From the Sub-Series:

Correspondence to and from others includes letters to and from friends and colleagues C.B. Cady and Otto Floersheim, and notable letters (one from Stephen Douglas) to Gleason’s father-in-law J.A. Kennicott. The letter from composer Giuseppe Verdi to composer Alberto Mazzucato is possibly a souvenir picked up by Gleason.

Scope and Contents note From the Sub-Series:

Correspondence to and from others includes letters to and from friends and colleagues C.B. Cady and Otto Floersheim, and notable letters (one from Stephen Douglas) to Gleason’s father-in-law J.A. Kennicott. The letter from composer Giuseppe Verdi to composer Alberto Mazzucato is possibly a souvenir picked up by Gleason.

Scope and Contents note From the Sub-Series:

Correspondence to and from others includes letters to and from friends and colleagues C.B. Cady and Otto Floersheim, and notable letters (one from Stephen Douglas) to Gleason’s father-in-law J.A. Kennicott. The letter from composer Giuseppe Verdi to composer Alberto Mazzucato is possibly a souvenir picked up by Gleason.

Scope and Contents note From the Sub-Series:

Correspondence to and from others includes letters to and from friends and colleagues C.B. Cady and Otto Floersheim, and notable letters (one from Stephen Douglas) to Gleason’s father-in-law J.A. Kennicott. The letter from composer Giuseppe Verdi to composer Alberto Mazzucato is possibly a souvenir picked up by Gleason.

Scope and Contents note From the Sub-Series:

Correspondence to and from others includes letters to and from friends and colleagues C.B. Cady and Otto Floersheim, and notable letters (one from Stephen Douglas) to Gleason’s father-in-law J.A. Kennicott. The letter from composer Giuseppe Verdi to composer Alberto Mazzucato is possibly a souvenir picked up by Gleason.

Scope and Contents note From the Sub-Series:

Correspondence to and from others includes letters to and from friends and colleagues C.B. Cady and Otto Floersheim, and notable letters (one from Stephen Douglas) to Gleason’s father-in-law J.A. Kennicott. The letter from composer Giuseppe Verdi to composer Alberto Mazzucato is possibly a souvenir picked up by Gleason.

Scope and Contents note From the Sub-Series:

Correspondence to and from others includes letters to and from friends and colleagues C.B. Cady and Otto Floersheim, and notable letters (one from Stephen Douglas) to Gleason’s father-in-law J.A. Kennicott. The letter from composer Giuseppe Verdi to composer Alberto Mazzucato is possibly a souvenir picked up by Gleason.

Scope and Contents note From the Sub-Series:

Correspondence to and from others includes letters to and from friends and colleagues C.B. Cady and Otto Floersheim, and notable letters (one from Stephen Douglas) to Gleason’s father-in-law J.A. Kennicott. The letter from composer Giuseppe Verdi to composer Alberto Mazzucato is possibly a souvenir picked up by Gleason.

Scope and Contents note From the Series:

Personal items, financial records, mementoes, materials about Gleason's work and hobbies, research files, and some publicity and reviews about his musical works. Diplomas include a large lifetime membership certificate from the Music Teachers National Association, 1890 (see Oversize folder).

Scope and Contents note From the Series:

Personal items, financial records, mementoes, materials about Gleason's work and hobbies, research files, and some publicity and reviews about his musical works. Diplomas include a large lifetime membership certificate from the Music Teachers National Association, 1890 (see Oversize folder).

Scope and Contents note From the Series:

Personal items, financial records, mementoes, materials about Gleason's work and hobbies, research files, and some publicity and reviews about his musical works. Diplomas include a large lifetime membership certificate from the Music Teachers National Association, 1890 (see Oversize folder).

Scope and Contents note From the Series:

Personal items, financial records, mementoes, materials about Gleason's work and hobbies, research files, and some publicity and reviews about his musical works. Diplomas include a large lifetime membership certificate from the Music Teachers National Association, 1890 (see Oversize folder).

Scope and Contents note From the Series:

Personal items, financial records, mementoes, materials about Gleason's work and hobbies, research files, and some publicity and reviews about his musical works. Diplomas include a large lifetime membership certificate from the Music Teachers National Association, 1890 (see Oversize folder).

Scope and Contents note From the Series:

Personal items, financial records, mementoes, materials about Gleason's work and hobbies, research files, and some publicity and reviews about his musical works. Diplomas include a large lifetime membership certificate from the Music Teachers National Association, 1890 (see Oversize folder).

Scope and Contents note From the Series:

Personal items, financial records, mementoes, materials about Gleason's work and hobbies, research files, and some publicity and reviews about his musical works. Diplomas include a large lifetime membership certificate from the Music Teachers National Association, 1890 (see Oversize folder).

Scope and Contents note From the Series:

Personal items, financial records, mementoes, materials about Gleason's work and hobbies, research files, and some publicity and reviews about his musical works. Diplomas include a large lifetime membership certificate from the Music Teachers National Association, 1890 (see Oversize folder).

Scope and Contents note From the Series:

Personal items, financial records, mementoes, materials about Gleason's work and hobbies, research files, and some publicity and reviews about his musical works. Diplomas include a large lifetime membership certificate from the Music Teachers National Association, 1890 (see Oversize folder).

Scope and Contents note From the Series:

Personal items, financial records, mementoes, materials about Gleason's work and hobbies, research files, and some publicity and reviews about his musical works. Diplomas include a large lifetime membership certificate from the Music Teachers National Association, 1890 (see Oversize folder).

Scope and Contents note From the Sub-Series: Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...

Scope and Contents note From the Sub-Series: Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...