Showing Collections: 1 - 4 of 4
Materials designed and collected by Chicago designer and typographer Burton Cherry, between approximately 1929 and approximately 1962. The collection includes correspondence to and from Cherry, items he designed or which were produced under his supervision, items possibly designed by Cherry, articles containing information about his work, and ephemera he collected.
Papers of Oswald Cooper, Chicago lettering artist, advertising designer and type designer best known for his Cooper Black and Cooper Bold typefaces. Includes art work for type designs; art boards, proofs and finished advertising pieces; and limited correspondence. There is also a file on patent cases of 1926-1928, and Cooper's testimony before Congress on the originality of typefaces, and ephemera from other artists.
Calligraphy collection of correspondence, lettering samples, ephemera, greeting cards and bookplates collected by Chicago art director Raymond Shank; includes handwritten letters to Shank from James Hayes, Tom Gourdie, Anna Hornby, Samuel Katz, Geoffrey Ebbage, and Howard Swensen, handwritten letters from Alfred Fairbank and W.A. Dwiggins to William A. Kittredge, and lettering samples by Shank.
Letters, illustration samples, telegram, and photograph, dated between July 21, 1939 and Jan. 28, 1965, concerning the illustration work done by Susanne Suba of New York, for William A. Kittredge, of R.R. Donnelley's Lakeside Press, and the Chicago book design and publishing scene in general during the 1940s.