Corporate records of the Arts Club of Chicago, an institution incorporated in 1916 and devoted to exhibiting and showcasing innovative artists and performers. Records include extensive exhibition files, files on the Club's music, lecture, film, and drama series, and administrative and financial files.

The School of the Chicago City Ballet was founded in 1980 by Maria Tallchief and affiliated with the Chicago City Ballet, outlasting the company by six years until its closing in 1993. Includes administrative records, publicity materials, and photographs.

A troupe that showcased the works of Chicago choreographers, the Chicago Repertory Dance Ensemble was founded in 1981 by Tara Mitton and headquartered at the Ruth Page Center for the Arts building until its dissolution in 1992. Records include administrative files, photographs, publicity, and audiovisual materials.

Material relating to Chicago dancer Christina Olson, who at the age of twelve performed as a Turkish dancer in the Turkish Theater at the World’s Columbian Exposition, 1893. Includes music school diploma, hand-written documents concerning her employment and performances, her marriage certificate and two photographs. Also, three items relating to the Exposition – a general ticket of admission, her passbook and a program for the Turkish Theater.

Material collected by dancer Diana Huebert (Mrs. Abel Faidy), the bulk consisting of programs and photographs of herself and other dancers. Also, some articles she wrote or saved, including an autobiographical sketch, choreographic notes, and miscellaneous material relating to her husband, architect and designer Abel Faidy.

Material relating to Chicago dance teacher and author Edna Lucile Baum, which includes incoming correspondence, writings, photographs, programs, dance notations and other miscellaneous printed items, scrapbooks and notebooks.

Hubbard Street Dance Company (renamed Hubbard Street Dance Chicago in 1993) was founded by dancer and choreographer Lou Conte in 1977 and has become one of the most successful and most internationally known dance companies to hail from Chicago. Records include administrative files, publicity materials, and audiovisual records of performances of the company.

Irwin Fischer (1903-1977), composer, professor, conductor, and musician. Enjoyed a long career teaching at the American Conservatory of Music in Chicago, Illinois. Also worked as an organist for the Chicago Symphonic Orchestra and various churches, a conductor for the National Youth Symphony, South Side Symphony, and West Suburban Symphony. Known primarily for scores such as the Hungarian Set (Pearly Bouquet) and Symphony I.

Abstract: Collection of maps and travel ephemera related to the travels of James and Josie Tomes. Material covers Africa, Asia, Europe, and North America, with most material on Europe and North America. Also includes material related to James Tomes’ genealogy research, much of which required travel in the United States and Europe.

Printed ephemera from a variety of companies, organizations, and individuals, mostly concerned with printing, publishing, graphic design, and related book arts. Geographic coverage includes North America, Great Britain, Europe and East Asia.

Choreographic notes, clippings, photographs, programs, and other materials documenting the career of ballet and Hungarian dancer John Petri (1892-1963).

Material relating to the life and career of dancer, poet and painter Mark Turbyfill, including three copies of his unpublished autobiography and many copies of published and unpublished poems. Also, articles and reviews by and about Turbyfill, a few pieces of correspondence, clippings, dance programs, photographs, a cassette tape of him reading, and a published genealogy of the Turbyfill family.

Material relating to the career of modern dancer May O’Donnell, consisting of advertising and announcements, articles, reviews, programs and photographs. Also a few miscellaneous items, some of which relate to O’Donnell’s husband, musician Ray Green.

Records of the Ruth Page Foundation, a cultural non-profit organization committed to the education, promotion, and presentation of dance in Chicago. Founded by Ruth Page in 1970, the Foundation continues to support a number of dance initiatives. Includes administrative, personnel, financial, and publicity materials for both the Foundation and the Ruth Page School of Dance.

Personal papers of dancer and choreographer Ruth Page. Materials include correspondence, choreographic and technical notes, address books, programs, press clippings and scrapbooks, journals writings, photographs, business records, audio recordings, and musical scores. Featured dance works include The Bells, Carmen, Nutcracker, Romeo and Juliet, Frankie and Johnny, and Billy Sunday.

Chicago's Stone-Camryn School of Ballet was founded in 1941 by established dancers Walter Camryn and Bentley Stone. It became one of the most successful American ballet schools in placing its graduates in professional companies, and in creating new generations of dance teachers. Archives include personal and biographical material from Stone and Camryn, school records, scrapbooks, diaries, photographs, programs, clippings, and choreographic notes.