Box 3
Container
Contains 83 Results:
Arens, Franz Xavier, 1891-1892
File — Box: 3, Folder: 18
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1891-1892
Associazione dei benemeriti Italiani, 1887-1889
File — Box: 3, Folder: 19
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1887-1889
Bachert, Max, Boston Symphony Orchestral Club, 1899
File — Box: 3, Folder: 20
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1899
Ballenberg, Louis, Cincinnati Grand Orchestra, 1889
File — Box: 3, Folder: 21
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1889
Beach, Amy (Mrs. H.H.A.), 1896-1898
File — Box: 3, Folder: 22
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1896-1898
Blakely, D., [Eduard] Strauss Orchestra, 1890
File — Box: 3, Folder: 23
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1890
Boito, Arrigo, 1897-1898
File — Box: 3, Folder: 24
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1897-1898
Bowman, E.M., Oct. 14, 1891
File — Box: 3, Folder: 25
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Oct. 14, 1891
Browne, J. Lewis, 1890
File — Box: 3, Folder: 26
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1890
Buck, Dudley, 1867-1899
File — Box: 3, Folder: 27
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1867-1899
Bülow, Hans von, 1874
File — Box: 3, Folder: 28
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1874
Büttgenbach, F., Mar. 10, 1874
File — Box: 3, Folder: 29
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Mar. 10, 1874
Camagno, Francesco, Dec. 12, 1889
File — Box: 3, Folder: 30
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Dec. 12, 1889
Campbell, F.J., Royal Normal College and Academy of Music for the Blind, 1885-1886
File — Box: 3, Folder: 31
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1885-1886
Carl, William C., 1890-1893
File — Box: 3, Folder: 32
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1890-1893
Carreño, Teresa, 1897
File — Box: 3, Folder: 33
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1897
Castle, William, Chicago Musical College, Oct. 11, 1897
File — Box: 3, Folder: 34
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Oct. 11, 1897
Chadwick, G.W., 1886-1896
File — Box: 3, Folder: 35
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1886-1896
Cholmely-Jones, E., American Opera, n.d.
File — Box: 3, Folder: 36
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
n.d.
Clowry, Robert C., Mar. 17, 1902
File — Box: 3, Folder: 37
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Mar. 17, 1902
Converse, Charles Crozat, Oct. 7, 1888
File — Box: 3, Folder: 38
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Oct. 7, 1888
Cottlow, Augusta, Jun. 5, 1891
File — Box: 3, Folder: 39
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Jun. 5, 1891
Damrosch, Leopold, Jul. 9, 1879
File — Box: 3, Folder: 40
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Jul. 9, 1879
Damrosch, Walter, 1898
File — Box: 3, Folder: 41
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1898
DeKoven, Reginald, 1896-1899
File — Box: 3, Folder: 42
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1896-1899