Box 3
Container
Contains 83 Results:
King, Frank H., Chickering & Sons pianos, Sept. 13, 1889
File — Box: 3, Folder: 68
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Sept. 13, 1889
Krehbiel, Henry Edward, Feb. 10, 1887
File — Box: 3, Folder: 69
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Feb. 10, 1887
Lachmund, Ernest, Jan. 25, 1890
File — Box: 3, Folder: 70
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Jan. 25, 1890
L'Allemand, Pauline, Mar. 18, 1887
File — Box: 3, Folder: 71
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Mar. 18, 1887
Lavallee, Calixa, 1885-1890
File — Box: 3, Folder: 72
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
1885-1890
Lewing, Adele, Nov. 4, n.d.
File — Box: 3, Folder: 73
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Nov. 4, n.d.
Liebling, Emil (letter and fragment of letter), Jan. 19, 1891, n.d.
File — Box: 3, Folder: 74
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Jan. 19, 1891, n.d.
Lobe, Charlotte, Sept. 18, 1878
File — Box: 3, Folder: 75
Scope and Contents note
From the Sub-Series:
Incoming correspondence includes letters from famous composers and musicians as well as compliments on Gleason's compositions, the business of the Manuscript Society of Chicago, and the business of the Chicago Auditorium Conservatory of Music and Dramatic Art. Some letters are in German or French. Notable correspondents include Amy Beach, Edward MacDowell, Gustav Mahler, Jules Massenet, Harriet Monroe (who encloses her poem which Gleason set to music for the occasion of the opening of the...
Dates:
Sept. 18, 1878